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The Ad Agency

64 members • $7/m

8 contributions to The Ad Agency
Copywriters, do you think only in words?
You shouldn't. Back in the "old days", there was a sacred triangle — the copywriter, art director and the creative director — locked in a room determined to find a concept that best solved the client's campaign, while serving gold to the agency's honor. Except it wasn't really that way... the CD and the copywriter would work out the idea, and then slip their scribbled copy ideas under the door of the AD who would make "pretty pictures" that brought it all to life. I learned pretty early on that as an art director, I wanted more skin the game. So I saw myself as a problem solver — usually, visually — but that didn't mean I couldn't come up with the words... and better yet, the actual concept that was the key. Which also means that as a copywriter, you can come up with the visuals as clearly as you could the copy. Don't limit yourself... and with a bit of AI, you can do it all yourself, right? I knew I shouldn't trust you guys. _ _ _ a little nod to the Ad Professor for being timely about this spec gem that got just a few LIKES.
Copywriters, do you think only in words?
1 like • Aug 28
I always try to think visually, whether it's a print ad, billboard, TV/video concept or radio spot (hence the "theater of the mind" descriptor). In my college portfolio classes we (even writers) had to draw up our visuals -- no cutting & pasting stock shots (or AI for that matter). It was great training for imagining more inventive and offbeat visual ideas, going way beyond a big product shot or slice of life scenario with a nice headline attached. In fact, a large percent of my current book has visuals I came up with. It seems to be a lost skill on younger writers. In my career I've been lucky to work with great ADs who could come up with killer visual concepts. And also a number of them who could write a decent headline in a pinch, and even some pretty good copy. I think those creatives who can think visually and verbally have the longest careers.
1 like • Aug 28
I can remember some of my ADs with a drawing pad every time we concepted. I wonder how many of the younger creatives have good hand skills. At one agency we only presented marker comps to the client. We didn't want them to get locked into details about type or photography. Our batting average was surprisingly very high for selling risky ideas.
Didn't see that one coming...
Just a quickie, this morning... next time you have the ingenious idea to "halve a face" on the side of your brand packaging so that it makes for a bold store shelf presence — be sure it doesn't become an LOL Meme.
Didn't see that one coming...
1 like • Apr 28
Yikes. If they had at least retouched the eyes to be looking in the same direction.
How to Think and Re-Think your creative...
Many of you don't recognize the agency Fallon McElligott & Rice. That's because they're just "FALLON" today. But they're the agency that most dramatically changed the ad world from Madison Avenue based, to anywhere in the world based. One of the most pivotable campaigns they worked on was for ROLLING STONE magazine in 1985. They created the "Perception vs. Reality" print campaign that changed how ad buyers thought of a long established "anti-establishment" magazine. Far before the Internet, ad sales were faltering, because agency ad buyers presumed that the "dope smoking hippies" who comprised the majority of Rolling Stone readers weren't the proper audience for higher-ticket brands for cars, jewelry, electronics and fashion. In fact, the fear was that Rolling Stone readers weren't "good capitalists" at all. Unless you were Ben & Jerry's, why would you buy space? Fallon did the research and found that this perception was ill founded. The magazine was attracting all sorts of young urban professionals in major cities across America (yes, Yuppies). The simplicity of Tom McElligott's creative "PERCEPTION vs. REALITY" with singular image graphics by Nancy Rice, effectively capturing the difference, was all it took to get ad sales to shoot up by over 50% in the first year of the campaign. Who says you have to accept the narrative. Can you reform the narrative to your own? What's the fastest way to get recognition of your idea? What will they do with it? Does your idea have enough legs that other media will do your work (for free) on your behalf? Don't start with "no". Ask, "what would it take?" "How clever, provocative or funny does it need to be to go 'viral' — when 'viral' isn't even a thing yet?" This is some of what you can learn from past ad campaigns. Learn your Ad History. 😎
How to Think and Re-Think your creative...
1 like • Apr 16
I was aiming for Chicago where I interviewed for a week in the summer of 1986, walking the streets in my suit and carrying my big pizza case with ads, going from Burnett to Needham to Ogilvy and a few more. My dad knew Steve Laughlin from an earlier agency and suggested I drive up and interview there. Hired by FL&C in May '87. Minneapolis and Chicago were not meant to be.
1 like • Apr 16
Little did I know that when my dad pointed me to FL&C it was considered the hottest shop in Wisconsin. There was no Internet to research places back then. Just dumb luck that I landed there and got to work on some great stuff. Won a few national awards in my first year too. All 3 of the partners are in the WI advertising Hall of Fame along with my day-to-day creative director. Learned a lot from all of them.
Sh*tting on Madmen
I JUST RAN ACROSS THIS on LINKED IN... He's not wrong... but the key line in his missive is his last, "Learn how they thought, not just how they wrote." We (The Ad Agency) use Madmen as a tool to help attract those that see the glamour and passion behind the world of advertising. It helps to have millions of watchers behind you... but the truth about advertising is the best (in any era) think differently than the rest. They get inside the head of their brands, their prospects, their customers and the rest of the world around them. You shouldn't be a "huckster". The world has always been full of distractions — getting your message out is the trick. THE AD AGENCY is here to help you cultivate your thinking process to better obtain the thoughtful results you hope to achieve.
Sh*tting on Madmen
1 like • Apr 16
Young people in the business today should be thankful cigarette smoking was banned in buildings about 30-some years ago. A lot of us can remember co-workers smoking in their offices and definitely at work parties and ad events.
1 like • Apr 16
But to the point of your post, yes, it's a totally different era but the new tactics are just new tools in the toolbox. Some of them have a short shelf life - they're forgotten a few days later. But the best creatives know what to say and how to say it in ways that stick with the target. That's the psychology part of being a good creative thinker. If you want to have a long career, you'd better be good with as many tools as possible. TV, radio, print and billboards may seem archaic but companies like Nike and Apple (and a ton more) still believe in the impact those old media tools can create.
Has anyone done a car commercial?
The more I pay attention to commercials, the more I notice how many car commercials there are—and how they all are generally the same. EXT: Outdoors on a winding [perfectly conditioned] road in the mountains OR Midnight cruise through the city. VO: Two or three sentences about how the relationship between man and machine is only separated by a pure-leather grade steering wheel. DRONE: Car taking a curve TXT: 2026 Car, now only $300,000 and something about 0% APR. ### Maybe it’s because I’m young and dumb, and there’s a formula that always works, but is it possible to make something completely different? Now I’ve seen a few from Buick and Honda that show a more realistic picture of an SUV (look at how many soccer players we can fit in the back!) but I think it’d be fun to push an industry that helped invent modern advertising. Just my thoughts, probably wrong!
1 like • Apr 16
Car commercials used to be better. Think Lexus in the '90s, Subaru in the '80s, Honda for a long period, BMW and Porsche pretty good for many years, and of course Volkswagen in the '60s and '70s. Today most of the commercials are interchangeable.
1-8 of 8
Mike Holicek
2
2points to level up
@mike-holicek-9477
Mike is a Writer/Creative Director at BVK. His 30+ year career has included stints at Laughlin Constable, Hoffman York, Kohnke Hanneken and GSD&M.

Active 30d ago
Joined Feb 5, 2025
Milwaukee