In all the years Iāve been futzing with Classic Timeless Menswear (over 50 now), Iāve never heard a more succinct way to describe the art than Antonioās Style pyramid. As a perpetual student of CTM I was very fortunate to have had the opportunity to complete his course which articulates the concepts I used to sell half a century ago. I wished he had told me about the three terms when I started, but then again I probably would have had a hard time understanding very young Antonio in the late 1970ās š š“ Fit, as Antonio states is certainly king and should alway be the first focus. A very close second is the function (knowing when to wear what where). Fabric sometimes gets relegated to merely an aspect of the temperature and time of year. But as one gets longer in the nose on the CTM journey fabric can become the esoteric factor that separates a blazer for example that merely suffices in a dress up situation to becoming a trusted garment that one truly enjoys wearing for decades. My friend @John Witvoet a couple of years back scored a beautiful RL Doeskin weave thrifted Navy Blazer. This luxurious soft (usually Merino Wool) brushed weave is an iconic fabric that is timeless. As time goes on, a half canvas or full canvas coat will conform to oneās body and itās fit and fabric become a go to for multiple functions. The same could be said for a suit coat or a sportcoat or a blazer https://www.ralphlauren.co.uk/en/the-iconic-doeskin-two-button-blazer-264003.html?srsltid=AfmBOopsmHeXdioTIs7MNPCGeNz8p6ULMev1oiyjNGixWtx-x9ceC5ev Learning the āhandā of various fabrics. Understanding how different fabrics take dyes and how they hang and drape is an intermediate step and enjoyable part of delving into the world of quality Classic Timeless Menswear. In other words, like in other gentlemanly pursuits, the beauty is in the details and tiny refinements.