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The Sync Vault

148 members • Free

36 contributions to The Sync Vault
More Pop Ballad Feedback Appreciated!
Hey, squad! Your feedback for my last pop ballad, Ghost of Us was extremely helpful, so I'm back again with another one that I'm working on! This one's a cover of a Jesse McCartney song called New Stage. Inspiration for this one is similar to the last with maybe some more electronic elements. Still working on the mix and adding some little details, but I'd love your feedback in helping me finish this one up this week! Things I could use help with: -Drums in the last chorus I feel like could be bigger, but I'm not sure where to go with it! @Tim Jeffcoat your drumming feedback is always welcome! -I took most instruments out at the end of the second verse, trying to create a moment going into the Chorus but it didn't turn out how I had imagined it! Haha, what am I missing? https://s.disco.ac/qxtskagzlrvs Thanks again in advance!
1 like • 2h
Dang you are talented! My comments, for what they are worth... yeah, it needs a little mixing. Glenn had terrific comments on this. In my case, I want to hear your vocals more 'up front' in the mix. It feels like your vocal range is so close to the timbre of the keyboards... but I'd like your voice to be more distinct, especially in the beginning. As for drums, you could do a little tiny cymbal riser at ~:58 (before sweet talk) when you bring in the drums, mix it way back in the mix, and it can increase emotion without attracting a lot of attention as well as demarcate the sections. There are a couple other locations you could do this (1:17, 1:49), without much risk of being too repetitive, depending on your taste and how it sounds. Around 1:49 you could transition for more emotion and impact so that the finger snaps swap for snare, or layer with a snare, to give more of a backbeat, and you might also layer in a subtle hi-hat, one that is lower-pitched. I also really like some of the electronic elements you have included, and for my taste, maybe bring them a tiny bit forward in the mix.
0 likes • 59m
@Glenn Macrae Yep. maybe drier. It's probably an EQ thing
Feedback for Cinematic Electronica Underscore
Jumping on the feedback train! Sync Vault friends - one of my aims, getting started in sync licensing, is to compose emotive, slightly mysterious vibing tracks for productions like fine arts dance, quirky indie films and shows, and documentaries, etc. I write other genres, but have been going deep into cinematic electronica production for the past year or two. I’m trying to figure out what my strongest sync “lanes” are, and Glenn encouraged me to share something I’ve written recently, to show one of the directions I’m taking. Glenn also encouraged me to start finding video content to practice underscoring, so I found a short dance performance film on Vimeo and paired it with a recent track of mine. It’s probably a little quirky, but I’m sharing it anyway! The audio is not mixed yet, so I’m looking for more feedback on the production. I’m open to any kind of notes and welcome all varieties of opinions. Most importantly, I wanted to join in the vulnerable experience of sharing something I’m a little unsure about. I’m also excited to keep learning, experimenting, and moving toward pitching! Some possible feedback points: -What genre does this feel like to you? -What video mediums could you see this working with? -Is it hitting as an audio dreamscape or overly simple? -Do any of the sounds come across as dated in a bad way, or in a good way (vintagey)? -Is it quirky in a cool way, or in a not commercially marketable way, lol? Thanks for checking it out - I’ve been loving hearing all the original work you guys are creating! https://s.disco.ac/wkmmnhdoocup
1 like • 3h
Dawn, I really like it. It does have a 2000's sort of vibe with the drum sound, but I don't think that is a bad thing. You've got some real art going on. In my very limited experience, because this falls into the area of 'not the same stuff everyone else is doing', I think it could make it interesting to sync catalogs. They sometimes look for things that are less typical in order to make their catalogs stand out. They all have 14 zillion hip hop tracks, but how many whatever-genre-this-is tracks do they have? As for your questions...: -What genre does this feel like to you? (electronica) -What video mediums could you see this working with? (non-dialog / scene setting) -Is it hitting as an audio dreamscape or overly simple? (unsure) -Do any of the sounds come across as dated in a bad way, or in a good way (vintagey)? (I like them) -Is it quirky in a cool way, or in a not commercially marketable way, lol? (I think commercial, as mentioned above)
1 like • 3h
tagging onto Glenn's posting... love the bass. Did you play that live?
How do you actually get a sync placement? Let's talk live.
The wait is over - I've got your answers. Starting Monday, March 30th - I'm going live here on Skool every week. Weekly Live Q&A | Mondays at 8pm ET / 5pm PT Every week I'm answering your questions about getting your music placed on TV, film, ads and video games. We'll dig into: - What music supervisors actually want (and what makes them skip your track) - Why pitches get ignored - and how to fix yours - How to build a catalog that gets licensed consistently Drop your questions in the comments so I can come prepared. First one is Monday, March 30th. And if you're ready to stop guessing and start getting placements - the Sync Vault Accelerator is my monthly coaching membership where we go deep on all of it. Book your 30 min coaching call for a taste and I'll give you the scoop See you then!
How do you actually get a sync placement? Let's talk live.
2 likes • 8h
See you there!
4 likes • 1d
Grinding with purpose; systematically working to improve the portfolio so I can follow my friend @Dawn Dineen 's lead with contacting sync libraries, agents, and supervisors by July.
Desert theme first revision
First off I wanna say I greatly appreciate the feedback from the first post, I applied the necessary changes and overall I feel as if my track is that much closer to being finished. I am new to this style of music and have only been producing it for a few months now. I have experimented with ideas before but I’ve never actually gave it enough effort. Most ideas got abandoned in the wasteland of no return. However I am here to show the new and improved version of my track. I really analyzed the feedback and applied it to the track. I emphasized more energy towards the second half of the track. I decided that the first part of the track is more of the player searching and discovering. It feels pretty open and honestly I couldn’t quite figure out if it was missing something still or just over thinking. I really thought about the direction the track is heading and I opted in for a more action packed second half to signify a tense more dramatic feel almost as if the player has stumbled around the bosses lair. Again class I am here for help and feedback though I feel my track is about 80% complete. Be honest with me and help me elaborate on new ideas to help finish this first segment. I feel like now that the volume is up some elements are more apparent. Where can I go from this? Should I add more melodies to help fill in some space or add more ambiance or texture? How does the mix sound? Does it help convey the theme and story a bit better? Or does it still feel like our hero is lost astray? https://s.disco.ac/azrkuuubfpbx
Desert theme first revision
3 likes • 2d
@Kaleb Blackard I love the use of authentic instruments and being true to the region. Very nice. Love how you add changes (and panning) on the percussion. The effect at ~1:32 is terrific. Really enjoyed those vocals. Overall quality was great. What is the intended sync application? I would guess it's a cinematic underscore piece, meant to help build a scene while there is dialog over the top, or to add backbone to a non-dialog scene (as you said, someone wandering around a scene...) In my opinion, put this on the shelf because it is "sync-done" (meaning, it is a good, sound piece and when you find a brief or opportunity for it, you will probably be pulling it off the shelf and making changes on the fly to fit the specific situation anyway).
1 like • 2d
@Kaleb Blackard However, Glenn probably has a more appropriate comment about that than me. After all, he is the one with a lot of syncs to his name! I, on the other hand, have zero!
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Tim Jeffcoat
4
57points to level up
@tim-jeffcoat-9328
'Retired' from my day-job and am now an aspiring composer of film/tv music for sync.

Active 58m ago
Joined Mar 3, 2026
ISTJ
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