Guys, this realism stuff is too hard and doesn't make the big money. I'm making a change. 😂 Just kidding. I've been having huge breakthroughs in my work lately, and unlocking massive creative flow and now I'm able to document it. I'll talk more about this stuff in the future if you're interested. If you've been wanting to add more feeling, emotion, story and 'oomph' in your work, I'll be able to explain a simple model to follow. Nathan really helped me to 'codify' this. I think @Felix Schreiter you would be interested in this process.

I wasn't particularly productive in the last couple of days. I can show you all another fude pen and wash experiment that I did. It's a fun medium, but values are incredibly tricky to control. Also I really messed up the proportions on this one.

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Had some time where I was just waiting around, so decided to do another colour study. Continuing the theme of women in hats I guess. I did not realise that I was slightly too zoomed in and consequently did not work all the way up to the border. However, the pink undertone as a result shows through in quite a nice way. I think my version is a bit more saturated in general, for example the background is maybe more bright and colourful, but I think overall the relationships are still reflected well. This time the film is Barry Lyndon directed by Kubrick.

10 and 20 min watercolors. Had a new model today. Her body type was so interesting. I've never drawn her shape before it was kinda challenging. I did take some nice photographs, so I am improving at that. That's a win for the day 📸