Hey Everyone! One thing I've noticed in my own trailer track creation for libraries is that I struggle to naturally think of a good way to end the final act of a cue. I generally go down the route of finishing up with a suspended chord that resolves, held over a long count and constant driving percussion. But it often takes me a while to think up the exact detail to execute that. I'm wondering, do you guys have any 'go-to' methods/tricks/endings that you use frequently in your tracks? If you have any references, I'd love to hear them! I'm really trying to make track endings second nature, but also to discover new variations to try out. Thanks!

Hi, I wonder if we can have an update for the courses still in early access. Is there maybe a roadmap of when we can expect what? Thanks.

Hey everyone, I hope you're having a great time! I kind of am stuck with the song I'm producing and I can't figure out what's wrong with the mix. Some help would be amazing and I'd be eternally grateful. Cause after hours of work this song is bugging me slowly... If you could tell me what I could change for the mix so it doesn't sound muddy or chaotic, that would be great. Thank you for your time:) From 0:42 is the relevant part and build up. The beginning is to be recorded again:3 My goal is to have a beautiful atmospheric bride mix but it should sound clean. (I'm starting to hate mixing 😭) (What I already tried: Mono listening and I know that brideness is luxury, Checking the busses/sections to cut out the annoying frequencies, putting some mixes down like reverb and being subtle with it) https://on.soundcloud.com/qRT2ScFkCAyfJpUXRU