A Rise member named Mike just posted this win inside the Rise community. Two years of writing for sync. First placement just landed, a track on a US golf show. The line at the end is what I keep coming back to: "Persistence pays off." That is the actual mechanic of sync. The track that gets picked is rarely your best one. It's the one in front of the right person on the right day, because you didn't stop sending. Mike took the lifetime spot in Rise because he kept showing up to the live calls and digging through the archive whenever he was stuck. The point of lifetime isn't access, it's that you stop having to think about it. A few Audio Artist Rise lifetime spots are open right now. If you want one, DM me and tell me where you're at.

Most composers I work with don't have a talent problem. They have a finishing problem. The folder of half-finished ideas. The track that was almost there in March, still almost there in November. That's the problem I built TMT Interactive to fix. 9 weeks. One complete, mastered trailer track, start to finish. We begin with a very basic concept and move one step a week, no jumping ahead. ⚠️ What makes it different from a normal course: ⚠️ Each week you do that week's assignment and send me the result. I send back a personal video reviewing your specific work and telling you exactly what to fix before the next step. Real feedback on your own music, from me, every week, for 9 weeks. And no worries, you can go at your own pace. If you feel like needing two weeks in betwee - no problem at all! I am ready when you are! Founding cohort, 20 seats, $397 (lowest it will ever cost). First video drops Wed 1 July, 3pm. Full details and enrollment: https://tmti.alexpfeffer.com/

How awesome would it be to have your own customized - AI slop free - track visualizer that turns every composition into a polished, share-ready video in minutes? Oh wait, it gets better. What if you could also generate short clips from it automatically, with fade-ins and fade-outs handled for you, plus topic-related text, supporting video footage, or both layered on top?

Hi, I’m Joshua. I produce and write full-time for major label artists in K-pop, J-pop, and C-pop. Though I started my career in scoring before I made the switch to pop, I still consider myself quite new to composing for media. 😊 Looking forward to learning from and connecting with everyone here, as well as sharing my own approaches to commercial production and songwriting. Sharing some songs I produced & wrote with my co-writers.

Hey guys, I received this question regularly over the last few years, so I recorded a video exclusively for the community. Let's talk about the best paying industry and the easiest to get into.