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Owned by Frank

We are a creative guild of composers and musicians who use the intervals to write original, magical music!

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13 contributions to Audio Artist Academy
Accepted to Libraries & Shoutouts!
Hi! Before the end of 2025, I thought I would take the opportunity to make some shoutouts when it comes to people in this community that helped me out on my journey when it comes to applying but also get accepted into two trailer libraries earlier this fall. First off, big thanks to @Andrew Hand who gave me great feedback on my early showreel version that I started to build and create during the summer. Thanks, Andrew :) But Andrew also got me into contact with @Matt McDonnell who offered me 1v1 sessions, when it comes to improving my cues even further, and also very valuable feedback when it comes to my upcoming showreel, and important things to have in mind when sending those application mails to the libraries. Besides that, we've also had great conversations about music and life in general :) Thanks Matt for taking the time, listening to different versions of my cues and giving valuable feedback, but also the support during the whole phase of "putting it all together". And last but not least; thanks to @Alex Pfeffer even though we've never spoken, since he's the man behind this community. Thanks to him I've gotten new knowledge but also inspiration. I wouldn't have found this group of fellow composers in the first place if it wasn't for his YT channel :) Thanks, Alex! I'm now in the work of finishing my first album (horror music), with one of the libraries. Twelve tracks were completed before Christmas, but I'll now go back and start making some revisions and changes here and there due to feedback, and then it's time to deliver those stems(!) Looking forward to what 2026 has to offer, and with that I want to wish you all a Happy New Year! Kind regards, Roger Bergström
1 like • 2d
That sounds great! Go for it, and may 2026 become your best and most successful year ever! 🍀✨🎶🥳
Panning tuts?
Does anyone have any good tutorials for panning with orchestral elements? I cant find anything for trailer music for some reason..
2 likes • 9d
I'd go with something like this (see pic), but as mentioned above, almost all orchstral sample libraries come pre-panned already. However, another quick way to get it decent is to use Virtual Sound Stage 2 (it's a free plugin) and use some of its presets. 👍
1 like • 9d
Here's the link to Virtual Sound Stage. https://www.parallax.audio/
Scaling Session with Frank | Replay
Hey all, here is the promised Replay of the Scaling Session with Frank. If you have any question, feel free to reach out to Frank for support. I am pretty sure he will answer your questions. Honestly, I had a few lessons about a similar system in the past but in these 45 mins with Frank I understood more about it than ever before 😅. Rest assured, Frank has more spells available for you, ... so if you are curious about this very helpful music composition system, make sure to check out his Circle of Interval Magicians. Let us know, what do you think about scaling? Do you have questions? Also, feel free to post your examples you created with his method.
Scaling Session with Frank | Replay
1 like • Nov '25
@Adriaan van Niekerk Totally agree! And many thanks for your kind words!! I truly appreciate that! 🎶
1 like • 24d
@Shawn van Staden thanks so much! I'm glad that it's helpful! 👍✨️🎶
2 likes • Dec '25
This really depends on how deep you want to go. On the surface, music is my income. It helps me provide for my family and keep the fridge full. But there are more layers to it. It is also my passion. I love expressing myself through music. In the past, I even used music to cover up insecurities or to escape from problems. In a way, it was almost like a drug. It gave me something to hold on to when life felt shaky. But my connection with music goes far beyond that. These days, I spend most of my time on the writing part. The actual notes, the arrangement, the orchestration, and how all these choices turn into emotion. It feels like writing a letter, whether it is a love letter or a hate letter, and the musician becomes the person who reads it and brings it to life. To me, music is this incredible form of conversation that works everywhere. It is universal. No matter where you live, what language you speak, or what your background is, everyone understands music. Everyone understands emotion. The same is true for food, by the way, but that is a different topic. 😄
0 likes • 25d
@Mike Haas Totally understand. Fortunately, I never had another thing going next to music, but I can totally see how much time goes into music. So, having another full-time thing going next to it is tough! What subjects do you teach? Is it music? 🙂
Composing underscore-ish Tracks (Advise and Exercises)
I like melodies. In fact, maybe i like them a little bit too much 😄. When i start a new piece i normally start with the melody and then find fitting chords to accompany it. Most of the times this works ok but when it comes to writing an underscore type like track, i really struggle, because my melodies tend to be to active. So basically the typical problem of overcomplicating things 😅. Can you guys recommend some sort of exercises to get better at this type of composing / Do you have some tipps , when it comes to writing such tracks ? Thanks in advance :)
2 likes • Dec '25
If you like starting with a melody or a short musical idea, then absolutely do that and write it down first. For example, imagine you have a two-bar melody with different note values. Take a look at each note and count the chromatic distance from one to the next. This gives you a sequence of numbers: positive numbers when the line goes up, and negative numbers when it goes down. Once you have this number pattern, you can use it to generate a huge amount of new material based on your original melody. It’s all technique from here. A common approach is to take your original melody and place it in a lower or middle register as long, sustained whole notes. Then, above it, you can write something new that’s inspired by the number sequence you extracted. The nice thing about this is that it will still feel related to your melody, but it’s different enough to keep things interesting and easy to shape. Underscore music is all about energy and pacing. You don’t want to give the listener something they can easily tap along with or sing, because that pulls too much attention. But if you use your melody in a much slower rhythm, stretched out, it stops sounding like a tune and starts acting like a shifting tonal center. That creates space for other elements like pulses, ostinatos, and even textural effects. 🎶 There are countless ways you can build from this. And if you’re curious, I’d be happy to show you some examples of that. I’ve written many pieces using these techniques. Just let me know! 👍
1 like • Dec '25
@Marcel Gruhn I'm glad that it helped. I'll reach out to you via a DM soon - need to finish a mix first! 🙂
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Frank Herrlinger
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20points to level up
@frank-herrlinger
Frank is a professional composer working in the industry for over 2 decades. He worked for Disney, Mattel, and numerous video game developers.

Active 4h ago
Joined Aug 17, 2024
Vienna
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