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A/B Referencing in Logic?
Logic users, can anyone suggest a tutorial for A/B comparing my track to a professionally mixed track in Logic? I have seen some tutorials, but they didn't quite match my version of Logic- they seemed to be using earlier versions. If anyone just has a simple set of instructions they can share, that would be cool, too! 👍🏾 Thanks in advance for any input!
1 like • 9d
Claude's answer: Here's a straightforward method for A/B comparing your mix to a reference track in Logic Pro (current versions): Setting Up a Reference Track in Logic Pro 1. Import your reference track - Drag the reference song (MP3/WAV) into an empty audio track in your project - Place it at the bar 1 position, same as your mix 2. Match loudness (important!) - Professionally mixed tracks are often louder — this will make them always sound better unfairly - Lower the reference track's volume fader until it roughly matches your mix in perceived loudness - A good starting point is around -14 LUFS for both — you can use Logic's built-in Loudness Meter (under Metering in the plugin browser) on each to check 3. Create a quick-switch setup - Put your mix stems/tracks in a Summing Stack or route them all to a Bus (e.g. Bus 1) - Solo-safe the reference track so it doesn't get muted when you solo things - Use the Mute button on the reference track to quickly toggle it in and out 4. The "Y" key trick - Assign the Mute button of the reference track to a key command: go to Logic Pro > Key Commands > Edit, search "Mute", and assign a key - This lets you flip between your mix and the reference almost instantly without reaching for the mouse 5. Optional — use the Gain plugin - Insert a Gain plugin on the reference track for fine-tuned volume trimming without touching the fader Tips while comparing - Listen in short bursts (5–10 seconds) — your ears adjust quickly - Focus on one element at a time: low end, vocals, stereo width, etc. - Don't loop the best part of the reference; compare similar sections (verse to verse, chorus to chorus) This works cleanly in Logic Pro 10.7+. Let me know if you're on an older version and I can adjust the steps!
1 like • 9d
@Marcus Lyons put your mastering chain on the Summing Stack
The work that did not pay upfront is what paid me later
Let me share something I wish more creators understood earlier in this "visual media" industry. The moment you decide you are going to take this career seriously, whether that is composing, producing, or creating in any lane, you are already stepping into a long game. There is no version of this where it happens fast. What most people see is the main road. The obvious path. The one tied to upfront money, quick wins, and immediate results. That path is real. You should be on it. But there is another road running alongside it. Less obvious. Slower at first. No big upfront payoff. Just work that builds over time. Same destination. Same goal. A different way of getting there. Early on, I made the decision to take both. I stayed on the main (one) road. But I also took opportunities that did not always pay upfront. I focused on building something, not just earning something. I said yes to work that gave me ownership, gained experience, and volume in the form of a writer’s share. I treated every piece like it mattered, even when it felt small. Why? ...... Because that work does not disappear. It compounds. It stacks. One piece turns into ten.Ten turns into a hundred. A hundred turns into something that starts working for you long after the work is done. For me, that window was 2012 to 2015. During that time, I was still on my main path, building my career as a composer. But alongside that, I was contributing to catalogs every chance I got. Some of it went directly into catalogs.Most of it went through publishers who had direct relationships with working music supervisors. So the pipeline was simple. From my DAW to the publisher to the music supervisor to the editor that placed it directly into picture That was it. No middle confusion. No waiting around. Just consistent output going straight into real opportunities to be placed. That is when everything shifts. You stop chasing every dollar. You start collecting from the work you already did. That is how I built.
The work that did not pay upfront is what paid me later
0 likes • 27d
True! I find it can take 8 months to 7 years to find a home for my tracks. The time has gotten shorter as I focus on trends, marketing data and the analysis of which of my tracks are doing better than others, but it's still not instant. You can produce in a vacuum, if you want to be a sync composer.
Any Mexican/ Latino-American artists here?
Any Mexican/ Latino-American artists in the group? I have an indie film I’m helping a supervisor source music for.
0 likes • Apr 7
yes
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Max Holm
1
3points to level up
@max-holm-8068
131M+ listeners in film/TV/ads/games/metaverses/UGC. NPR, Monster Energy, Cadbury, Sainsbury. 2 recordings in Anne Hathaway film Mothers' Instinct

Active 4h ago
Joined Apr 1, 2026
Oklahoma City, OK