SSL dropped a brand NEW Console. Origin....Evolved. https://solidstatelogic.com/products/origin-evo

In a commercial, release-ready track, do you prefer live acoustic drums or an e-kit? I'm not asking "what's more fun to play" or "what's more authentic." I mean purely from a results and workflow standpoint: consistency, translation, mix speed, revision flexibility, and final master impact. If you're recording a real kit in a typical home or project studio scenario, you're dealing with mic count, placement, phase, bleed, and room tone. In your experience, does the final record actually benefit enough to justify the time, expense, and risk? I have both types of kit, but only enough room to set one up at a time, and the e-kit is much easier to work around. I find that in my studio the acoustic kit's cymbals are much too loud in the final mix compared to the e-kit, but, then again, the e-kit cymbals often feel like they're lacking some character or charm. That might just be my e-kit, though. It's a budget Alesis kit. I'm genuinely curious where experienced ears land on this in 2026. If the goal is a commercial track that competes, do you prefer live drums, an e-kit, or a hybrid (live cymbals with sampled shells, room mics plus triggers, etc.)? What's your default and what makes you change your mind?

UPDATED 1/23 - 10:59 PM Neumann M 50 V Tube Condenser https://www.neumann.com/en-us/products/microphones/m-50-v Burl Audio BC5000 Bigfoot Optical Compressor https://www.burlaudio.com/bc5000-bigfoot Neve 1073DPX-D https://www.ams-neve.com/outboard/1073-range/1073dpx/ Neve ADA24 https://www.ams-neve.com/outboard/starnet-range/starnet-ada24/ Neve 88R LBEQ https://www.ams-neve.com/outboard/500-series-range/88r-lbeq/ AKAI Professional MPC XL https://www.akaipro.com/mpc-xl/ Rupert Neve Designs OptoFET https://rupertneve.com/products/optofet Elysia Channex Studio https://www.elysia.com/channex/ United Studio Technologies Vintage87 https://unitedstudiotech.com/en/products/ut-vintage87 Solid State Logic UMD192 USB Interface https://solidstatelogic.com/products/umd192-studio Yamaha CC1 USB Controller https://usa.yamaha.com/products/music_production/controllers/cc1/index.html Avantone Pro CLA-Sub https://avantonepro.com/en/products/cla-sub Black Lion Audio MIDI 8 https://www.blacklionaudio.com/store/interfaces/midi-eight/ Black Lion Audio PBR XLR 16F DSub https://www.blacklionaudio.com/store/patchbays/pbr-xlr-16f-dsub/ Heiserman Audio Type 21 https://heisermanaudio.com/products/type-21-microphone

SSL is about to shock the world AGAIN. Something NEW coming to 2026 NAMM and it seems BIG.🤔Unveil 1/22/2026. https://solidstatelogic.com/media/solid-state-logic-to-launch-new-professional-production-tool-at-2026-namm-show

Two really great and notable items from Warren Huart and Produce Like a Pro this week! Abbey Road gets a new Console system designed by Wade Goeke at Chandler Limited - The REDD Mixing system. A landmark achievement in Audio engineering incorporating both legacy aspects of the Abbey Road mixing consoles and Chandler Limited technologies into a new cohesive mixing system... and its modular!! The blog and video really showcase the new Console! https://producelikeapro.com/blog/chandler-limited-and-abbey-road-unveil-the-redd-mixing-system/ (Look for Multitrack links on this blog page as well) https://youtu.be/zfflb11rrm8?si=QP_vnDKP_W0wJbAB Demo of UAD's new interface complete with a giveaway contest for said interface (UAD 876) and a multitrack session cover of Fleetwood Mac - Rhiannon (feat. Leoni Jane Kennedy) https://www.uaudio.com/products/volt-876#product-features https://youtu.be/H4BfPiQq6jo?si=5NGbVgFTNpTgMptt https://producelikeapro.com/blog/universal-audio-volt-876-review/ (Look for the Rhiannon multitrack links on this blog page)