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Mastering.com Members Club

29.6k members • Free

4 contributions to Mastering.com Members Club
Post-Holiday GAS Reality Check
Hey tribe, first post here. I make psychedelic pop/rock, and I'm here to do the responsible adult thing, which is to take my holiday cash and immediately turn it into a cardboard box I definitely need. So, let’s talk shop. What would you grab from this list? UA Apollo interface to replace a Scarlett 4i4 3rd Gen From what I can tell, UA's Apollo interfaces have a strong ecosystem and support, but they might also result in spending more time picking plugins than making music. Don't my existing plugins already do a decent job in the DAW for most of this anyway? I've never had a "luxury" interface like this, so I'd love a reality check from people who live on one. V47 Tube Mic Build Kit to replace an AT2020 This seems like it could be a pretty big source-tone upgrade, with charm and character for days, and maybe it takes compression in a more flattering way. But it also feels like a potential maintenance rabbit hole, plus time holding a soldering iron instead of a guitar. But mah vintage vibes! UA Sphere DLX modeling mic Going this route would let me bypass the build process while still chasing that vintage mic vibe, plus I'd get to try a bunch of legendary mic profiles since I don't fully know what fits my voice yet. But now we're right back to "too many choices" hot in the middle of the workflow again. Roswell Mini K47x Finally, we may have arrived at the most practical of all the possibilities, as well as the most cost effective. A single, smooth, out-of-this-world vocal mic that's easy to mix. Plus it's dead simple, buy it, plug it in, and use it. Alright, enable me or save me. If you could only choose one, are you buying? If so, what are you buying and why?
0 likes • 3h
@Garry Simmons, this is really helpful, thank you. The transducer point is a solid reality check, and I hear you on monitoring being the real "make or break" since all the decisions are made by listening. I'm in rural America, so mic locker option basically does not exist. All the local spots died off years ago. That said, I do take monitoring seriously. I actually lean on Auratones for my decision-making. Well and I have a couple pairs of Audio Technica M50x cans. Given the lack of local studios, I'll probably have to do the careful home A/B route if I want to try a few mics. I get what you mean about not abusing the Guitar Center return policy, but it might be the only practical way to audition what flatters my voice. Quick follow-up on your channel strip note: are you talking about very light compression on the way in just to catch peaks, or more of a tone thing you like to commit to while tracking? I noticed Sweetwater is about to begin stocking an "affordable" Fairchild 670 clone by Heritage Audio.
0 likes • 3h
@Clay Conner, this is exactly the kind of real-world Apollo feedback I was hoping for, thank you. The DSP warning is huge. I can absolutely see myself buying the entry Twin and immediately hitting the ceiling once I start stacking vocal chains. Sounds like if I go Apollo, I should accept up front that I need to commit to a Quad model. Two quick questions since you've lived with it: First, what was the biggest day-to-day difference for you coming from the Scarlett? Was it mostly the tracking feel and low-latency monitoring, or did you notice a real jump in the pres and conversion? Second, how much do the UAD plugins actually matter in practice to you? In your experience, do they genuinely move the needle, or is it more about workflow and vibe? If you had to spend the next dollar on one thing, would you go mic upgrade first and keep mixing with native plugins, or go deeper into Apollo plus a couple must-have UAD plugins? I feel like maybe the K47x might be the right move for the moment and the money, but I'm going to do a bit more digging. Thanks again!
Introduce yourself here 🤘
Welcome to any new members! Introduce yourself below and tell us about: - Why you love music - Where you’re at in your audio/production journey - What you can help people with - What you’re looking to get out of this community Take it away!
1 like • 1d
I make psychedelic pop and rock. I love music because it's the fastest way I know to bend reality for three minutes and make people feel something, and I've been chasing that feeling since I was a kid. I grew up playing guitar and recording constantly, and I was fortunate to be in bands through most of my adolescence. I love the freedom of collaborating online with DAWs and remote musicians, but I also feel like we lost something along the way. I haven't been to a real in-person jam session in over 15 years. These days I'm focused on my own original songs and getting them to a genuinely release-ready state. I guess you could say I'm here for the lessons and blunt critique, mostly. What's the one thing that consistently separates "cool demo" from "this sounds like a record?"
Commitment statement
My goals seem simple; make my yet to be published website a viable site for mixing and mastering music productions. The road getting there, not so simple. While being a perfectionist should not be an issue, minor rabbit holing might be. I will have to remain vigilant as I progress so I don’t get enamored with a new idea or technique that might lead me to push aside more critical items. Each Intensive, Mixing and Mastering, has showed me just how far I have to go. This is where imposter syndrome could raise its ugly head. But I constantly remind myself to look, listen and observe all media. And it’s evaluating what I observe that makes me believe there’s a place in the market for me. I just have to find my niche. And finding my niche is where this community plays such a vital role. To commit to study 4 days a week on this site with the plan to make it a daily habit is the starting point. Mentorship is another key factor I plan on utilizing along with leaning on many of you for help along the way. And I’m hopeful I can be helpful to all of you as well. I’m looking forward to the challenge.
2 likes • 1d
They always say not to let perfect be the enemy of good enough. You nailed the real danger with the rabbit holes. The only thing that matters is finishing work.
New Member
Commitment Statement: I am committed to slowing the fuck down and not jumping ahead of any process because I have many years of experience mixing things my own way.
3 likes • 3d
All us new folks should stick together and spread the love (likes) out in order to enable posting right away.
1-4 of 4
Chris Morris
2
14points to level up
@chris-morris-5217
Producer and DJ crafting punchy mixes and warm masters. Psychedelic pop and British Invasion vibes. Modern clarity with vintage soul.

Active 3h ago
Joined Dec 27, 2025
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