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Animation Alchemy Session is happening in 48 hours
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Animation for WEEK 2 of the new training → Done in 8 hrs
Full animated scene done in only 8 hours. From: - Coming up with a story idea - To Designing Characters - Writing a little Script - Planning the Shots - Creating each Panel - Producing Audio (Voice Acting, Music & SFX) - Animating each Panel - Putting it all together All characters are original, and you can see that the Detective is very handsome (looking like meeee haa!) All of this will be explained in Week 2 of the new training. Join AI Animation Masterclass Today. IMPORTANT ANNOUNCEMENT to those enrolled in AI Animation Masterclass: I am working on the lessons. Instead of posting all lessons, I decided to start from scratch and instead of just theory of how to animate, I decided to produce a high end animation in 1 day, and then explain step by step with this as example teaching you how you can do the same with your own stories. Lessons for Week 2 will be released tomorrow. Exciting new lessons coming!
Animation for WEEK 2 of the new training → Done in 8 hrs
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Cartoon Animator? I prefer AI, it's faster and better
In Cartoon Animator, they have this feature of Motion Capture. But it only captures the face, to animate the whole body, you need expensive motion capture equipment, like Rokoko for $2000. With AI, all of that becomes irrelevant. Look at how easily I did these 4 demonstrations with a few clicks, using the same prompt: "Match the reference video exactly (timing, moves and audio) while keeping the new character unchanged in appearance, outfit, and identity." Learn how to animate full stories with AI without wasting credits, and without having to reprompt again and again: AI Animation Masterclass
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The Secret to Saving Credits in AI Production and Minimizing Costs
Check this video Demonstration where I animate how most people do, facing typical AI Problems, vs doing it with the Director's Approach. CLICK HERE to check the video - The AI Animator is fixated in one way of doing things, and keeps prompting. - The AI Director is has cognitive flexibility and has multiple ways to solve the one problem and can change the approach Here is a little demonstration of the application of some techniques where I animated a scene as an “AI Animator”: - Prop warps - Weird character acting - Random glitches around the scene - Background distortions - Weird objects entering and exiting the scene - Wasted so many credits by doing 5 attempts that we can't really use And then, how it looks when I approach it as an “AI Director”: - Perfect stable background - Perfectly consistent Character action in the background - Perfect and stable, consistent Character motion in the foreground - Perfectly stable shot - Clean scene from start to finish - No weird warps, distortions or random objects that enter or exit the scene - Saved so much frustration and credits, because it was achieved on the first try
The Secret to Saving Credits in AI Production and Minimizing Costs
Waterfall (lithograph)
I've always been fascinated by the mind-bending architectures of Maurits Cornelis Escher. After checking out an exhibition in Paris with two of my grandkids, I thought it'd be fun to make a short film for friends who couldn’t see it outside the city. Along the way, I realized—once again—that ACT5 is still the best tool for certain kinds of projects. For this one, I used Galaxi.ai, Cartoon Animator 5, Photoshop, and Premiere Pro.
Waterfall (lithograph)
My story idea for a mystery and fantasy story
Library of Feathers John discovers an ancient book hidden in a forbidden library—written in crane language. Each page unlocks a location of a crane. The villain hunts them too, while the Cat Guardian silently tests Rina to see if she’s worthy of a secret power. The Male Guardian guards the library’s final door, revealing that Rina is the last mythical crane lost long ago—the one the powerful female villain has been searching for all this time.
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2DAnimation101
skool.com/2danimation101
An Online Animation School that combines Human Creativity with AI
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