User
Write something
Pinned
Start here & FAQs
Welcome to any new members! Please read this post carefully, and complete the following steps. 1️⃣ Step 1 - Watch the relevant "start here" video Paid/free trial members, watch this first: https://www.skool.com/mastering/classroom/de802fd9?md=65e2c1b717dd47bf9ba4416487958d2c Free members, watch the video attached to this post. 2️⃣ Step 2 - Introduce yourself Please leave a comment on this linked thread to introduce yourself: https://www.skool.com/mastering/introduce-yourself-here Okay there are some FAQs below, other than that, thanks again for joining, and welcome to the Mastering.com family! -- 🚨 Frequently Asked Questions 🚨 ➡️ I’m currently a free member, how do I learn more about paid membership and upgrade? All the info is here: https://courses.mastering.com/membership_info_skool ➡️ Where can I find the resources for the Mixing & Mastering Cheat Sheet Binder? Go to Courses tab then click on Mixing & Mastering Cheat Sheets Here is a direct link: https://www.skool.com/mastering/classroom/edf13df1 ➡️ I registered for a free event, where do I get the Zoom link and full info? Navigate to the Calendar tab then click the event you want, it will open a popup with all the info and a button to add it to your personal calendar. ➡️ How do I manage my membership and billing? The easiest thing is to message [email protected] and we can help change your billing info or cancel. If you want to do it yourself, depending on where you joined, there are two places you will need to go. If you joined via the Mastering.com website or through a free trial, login and click “Manage Membership & Billing” on this page: courses.mastering.com/settings
Start here & FAQs
Pinned
New Members Club Collaboration Tool - FREE :)
We always want to encouraging you to create and release music! So, with that in mind, I created a free platform called membershipcollab.com that can help you all better connect with other students in this community for collaboration! In my opinion, collaboration is the #1 way to help increase your skills and grow as a musician, engineer or producer. The new membershipcollab.com platform is a tool all of you can use to connect and work on projects! 1. Create a free account on membershipcollab.com. 2. From there you can post projects and list the roles needed to complete the project. 3. People can apply to work with you or you can search for people/skills to find collaborators. 4. If you're in a paid membership you can always bring these projects to the mentors for extra help. 5. I will create a post at end of each month where we can highlight everyone who completed a project that month. 6. As a community we can give some support to these projects :) It should be a good time! Let me know if you have any questions, and good luck to everyone working on projects in April :) **Let me know in the comments if you encounter any bugs**
Favorite EQ?
What's your favorite EQ plugin, and why?
Favorite EQ?
Shelf bands on an EQ: a clarification
I noticed in the music production 101 course, there was some talk about EQ shelf filters, and how they boost a frequency "above a certain point". This isn't really true though, they also boost a bit (in a slope) below that point too. This is important, because if you're recording and mixing at a high sample rate (such that frequencies above 22.05kHz are not aliased), then using a plugin like the Maag plugins' air bands (or other analog emulations) at 20k or above can affect the frequencies below it in a really pleasing way. I posted a comment somewhere nearly a decade ago about how recording and mixing above 48kHz is a pretty good idea, and people widely rejected that, claiming that "mixes are rendered at 44.1k and humans can't hear above 20, so there's no point!" but that ignores the fact that frequencies above 20k can actually have an effect on how the ones below it sound, and doesn't take aliasing issues into account. Fast forward 10 years and everyone else seems to be catching up on this fact (and oversampling too!), but I'd just like to point out that there's a reason mixes are exported at 44.1kHz and not 20! Because to give the minimum viable aliasing, you need double the max frequency (so 40k) but also provide a small buffer so that the top range of hearing isn't mangled by a 1-bit on/off aliased cycle, the minimum sample rate suggested is actually 44.1kHz, not 40, not 20. That's not an accident, and finally, It's widely misunderstood that 44.1kHz is "all that's required" when actually, it's a bare MINIMUM requirement, for not exceeding the most possible damage to high frequencies that listeners can tolerate. However, 44.1kHz is still the maximum damage to those frequencies that users can tolerate. 48kHz is less, 92 even less and less and so on. So higher sample rates = less damage to those frequencies, as is very apparent when using plugins or hardware that boost frequencies above 20k, especially in analog emulations.
New music
If you have new music you want to share to get some exposure, post it below! If you want feedback or have a specific conversation about the song, you can do a dedicated post. But if you just want to share something you've release to help get streams, post it below (and make sure you stream other peoples music too!)
New music
1-30 of 6,524
Mastering.com Members Club
skool.com/mastering
This is a community for artists, producers & engineers who want to achieve pro quality in their music.
Leaderboard (30-day)
Powered by