That's it. That's all. We all want this mug. Regular price is $149 and sometimes $99. You won't find $19 anywhere else. I paid more for mine, but here you go. It's on sale until May 20. https://store.solidstatelogic.com/plug-ins/ssl-native-bus-compressor-2?utm_source=Dot_digital&utm_medium=email&utm_campaign=SSL%20Compressors%20Month&utm_content=Software%20Promotion&dm_i=7YS,97SUB,DU2X79,12O15D,1,0,0,0

Again and again I keep running into the same issue - endlessly searching for sounds during creativity flow. Auditioning 200 snares and scrolling through presets and samples does not help the momentum. More and more this makes sense to me to have a collection of sounds prepared before producing. In recent Produce-A-Ton, Dane showed his collection of recorded sounds in Sampler menu. Now I’m eager to know whether ther’s like the best strategy for building my collection. What was your strategy? Did you organize by: Genre? Element (kicks, snares, basses, vocals)?Emotional character? Texture (warm, digital, dusty, aggressive, soft)?“Go-to” sounds that always work for you?

Hey there! I’m looking for music friends to share some mix and looking for critical feedback on my music. I’m auto producing my songs and I’m struggling a lot. If somebody with more experience would like to give me some tips let’s connect 😊😊thank you

Hey everyone! Just got back from our studio event in NYC, as per usual it was a blast! Wanted to let you know that we're hosting our first ever virtual open day next Wednesday for our income generation and business program, The Profitable Engineer. We'll break down how the program works, and also share what's working right now when it comes to getting clients as a freelance engineer, producer, or composer. You've put blood, sweat, and tears into developing your craft. Now it's time to monetize it. If you want to make an income doing what you love - whether part-time or full-time - join us live and we'll show you how to make it happen. This event is designed for those who want to make an income in any area of the music industry - from freelance engineering and producing, to making music for ads, TV, films, games... or developing a career as a recording artist. It's happening next Wednesday, May 20th, at 10am PDT / 1pm EDT / 6pm BST / 7pm CEST. You can learn more and register for free here: https://courses.mastering.com/event_full/1778784228104x659561130213244900?utm_source=FTMSkool Hope to see lots of you there! Rob

Last month I focused deeply on rhythm programming and groove. One thing that really stood out to me was learning not only how to create groove from scratch, but also how to extract groove from an audio file and turn it into a groove template that can be applied to any track. Then I watched Produce-A-Ton and didn’t find any discussion about the groove templates or aligning all instruments to one groove. It looked liked something not really important. But I’m curious about your workflow: How often do you actually apply groove templates to your tracks? Is it something you use regularly, occasionally for certain genres, or almost never? And when you do use groove, do you prefer creating your own feel or extracting it from existing audio?