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🏆 THE FINAL TEN — and where they go next
It's done. After five hundred and forty entries, more reading and re-reading than I can account for, and a great deal of heated debate, we have our final ten. These are the openings our judges have chosen to carry through to the last stage of the Marlowe & Christie Novel Prize. Reaching this point, out of a field this large and this genuinely strong, is no small thing, and I want to say clearly that the standard across the whole competition this year has been extraordinary. If you were commended or highly commended and aren't on this list, that is not a verdict on your book. The line had to fall somewhere, and it fell among work I'd happily have championed either side of it. The final ten (in no particular order): 🔟 The Break-up Artist 🔟 A Murder of Crows 🔟 Sea of Clouds 🔟 Flotsam 🔟 Pigeons 🔟 The Dog That Didn't Bark 🔟 Crooked Little Smile 🔟 All That Has Wings 🔟 Nonsuch Island 🔟 Rathaus Here's what happens now. These ten go forward together, anonymously, judged on the writing alone, to be read by four people from the publishing world. The winners will be chosen from this stage. They are: 📚 Alec Shane — a literary agent at Writers House in New York, one of the largest and most established agencies in the world, representing fiction from literary and historical to crime, thriller and horror. 📚 Jenny Hewson — a literary agent at Lutyens & Rubinstein in London, who joined after a decade at Rogers, Coleridge & White. The authors she represents have been shortlisted for and won prizes including the Booker and the Women's Prize, and she has a particular love of distinctive literary voices. 📚 Katie Seaman — an editor who spent a decade commissioning fiction at major publishing houses including Penguin Random House and HarperCollins, now a freelance editor and book coach across commercial and literary fiction. 📚 Patrick Gleeson — a novelist whose Theatreland Mystery series (Hattie Brings the House Down, Hattie Steals the Show and Hattie Breaks a Leg) is published by Bedford Square.
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Shortlist
Congratulations to everyone who entered The Marlowe and Christie Novel Prize! The standard was amazing and we are so grateful to all those who trusted us with their words. Today we are releasing our shortlist, which is divided into Commended and Highly Commended Entries. The ten best pieces from the Highly Commended list will be forwarded to the agents and Patrick Gleeson for feedback and further consideration for the cash prize. The Shortlist is attached here on Marlowe and Christie Skool. Congratulations again, everyone!
Cheshire Novel Prize - YA/Adult
Sorry for the late notice, but this closes at midnight tonight, BST. https://cheshirenovelprize.com
The Title To Lure You In.
James mentioned having title fomo with regards to the ten finalists which got me thinking about the importance of titles. Sometimes simplicity speaks volumes such as Lolita, Rebecca, Night, 1984, Dune and Stoner. The wonderful Mr King is particularly adept at minimal word titles; It, Misery, Cujo, Carrie and Christine to name just a few. The job of a title is to arouse intrigue and an excellent title will lodge in your memory. So many times I've wanted to recommend a book and I've faltered because I couldn't remember the title. Some of my favourites: The Unbearable Lightness of Being by Milan Kundera, The Grapes of Wrath by John Steinbeck, To Kill a Mocking Bird by Harper Lee, Something Wicked This Way Comes by Ray Bradbury, The Hitchhikers Guide to the Galaxy by Douglas Adams and A Canticle for Leibowitz by Walter M Miller. Some of the best titles almost didn't happen, for example 'Gone With The Wind' was almost titled 'Tote The Weary Load' (I kid you not) and 'The Sound and the Fury' was almost called 'Twilight'. What are some of your favourites?
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Marlowe and Christie Writers
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A group for writers to find feedback, tips, inspiration and to connect with other writers. Affiliated with the Marlowe and Christie writing prizes.
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