Sorry for the late notice, but this closes at midnight tonight, BST. https://cheshirenovelprize.com

In case anyone wants the chance to pitch to a load of agents, JoyPit is taking place on Instagram tomorrow. Create your own agents guide on Canva and get it posted! Here's the information for anyone who might be interested: https://l.threads.com/?u=https%3A%2F%2Fwww.instagram.com%2Fjoypit_pitch_event%3Figsh%3DdG9kZTRtNDN0ampx&e=AUAmCb_s_HR1TMed3XpHRvYtsgs9x1yRe2Sb2iZUl2MV-RnmFkVp_zntnB6qtPFpgVQRtzi7zS7anbW0jiwE0UJmfA1cxPv9DE8Pssv2cCrE-ng24bMA4ak1HtzuchrSGn4lpef1EGlnzbT_sYuCDPw

Ascent Novel Prize | international writing competition CHILDREN'S FICTION ENTRIES CLOSE TOMORROW! I've entered! Where every voice counts Ascent Novel Prize is an international competition open to all writers who have not traditionally published a book or have an agent. Every entrant receives free access to a membership area which includes videos and training on the craft of writing. Ascent Novel Prize is open for entries from 1st June to 1st November Ascent Children's Book Prize is open for entries from February to 1st July. Our winners receive £1,000 and feedback from industry professionals.

It's done. After five hundred and forty entries, more reading and re-reading than I can account for, and a great deal of heated debate, we have our final ten. These are the openings our judges have chosen to carry through to the last stage of the Marlowe & Christie Novel Prize. Reaching this point, out of a field this large and this genuinely strong, is no small thing, and I want to say clearly that the standard across the whole competition this year has been extraordinary. If you were commended or highly commended and aren't on this list, that is not a verdict on your book. The line had to fall somewhere, and it fell among work I'd happily have championed either side of it. The final ten (in no particular order): 🔟 The Break-up Artist 🔟 A Murder of Crows 🔟 Sea of Clouds 🔟 Flotsam 🔟 Pigeons 🔟 The Dog That Didn't Bark 🔟 Crooked Little Smile 🔟 All That Has Wings 🔟 Nonsuch Island 🔟 Rathaus Here's what happens now. These ten go forward together, anonymously, judged on the writing alone, to be read by four people from the publishing world. The winners will be chosen from this stage. They are: 📚 Alec Shane — a literary agent at Writers House in New York, one of the largest and most established agencies in the world, representing fiction from literary and historical to crime, thriller and horror. 📚 Jenny Hewson — a literary agent at Lutyens & Rubinstein in London, who joined after a decade at Rogers, Coleridge & White. The authors she represents have been shortlisted for and won prizes including the Booker and the Women's Prize, and she has a particular love of distinctive literary voices. 📚 Katie Seaman — an editor who spent a decade commissioning fiction at major publishing houses including Penguin Random House and HarperCollins, now a freelance editor and book coach across commercial and literary fiction. 📚 Patrick Gleeson — a novelist whose Theatreland Mystery series (Hattie Brings the House Down, Hattie Steals the Show and Hattie Breaks a Leg) is published by Bedford Square.

I've no doubt that each of us here has varied reading tastes and habits so feel free to answer in broad or general terms. Do you happen to read/write the same genre or do you create and consume stories in different spaces? If the latter is true, what elements of your recreational reading influence you in your writing?