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A Journey of a Thousand Miles...
If you have landed on this page, Welcome! You may be interested in Martial Arts, QiGong, Yoga, TaiJi, BaGua or some combination thereof, if so we are on that same path. I have been studying these arts since the early 90s, and they have brought me so much that has enhanced my life- I look forward to sharing my knowledge and helping people of all levels of experience use the internal arts to unlock some of the energy they have inside themselves to heal and find the wellspring of power and energy within us all.
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So, what is this Chi anyway?
Thanks everyone who has come to this channel, I look forward to sharing ideas with you. I want to start a discussion around what is Qi or Chi? It is an important question, and like many important questions, it may be unanswerable. 😀 But here are a few options. If something else, what?
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JRQ BGZ - First Change of the Jiang Rong Quiao form
This is the first palm change of the Jiang Rong Qiao set, performed and filmed some 15 years ago now, an excellent Bagua Zhang set with great twisting and joint opening movements. I plan to discuss this set and break down each palm change element by element in upcoming courses. Join Me.
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The Tai Chi Classic
Attributed to Zhang San Feng, a Taoist Immortal. In motion, the whole body should be light and agile,with all parts linked as if threaded together. The chi should be activated,The mind should be internally gathered. The postures should be rounded and without defect,without deviations from the proper alignment in motion, your form should be continuous, without stops and starts. The jin should be rooted in the feet, generated from the legs, controlled by the waist, and expressed through the fingers. The feet, legs, and waist should act together as an integrated whole, so that while advancing or withdrawing one can take the opportunity for favorable timing and good position. If correct timing and position are not achieved, the body will become disordered and will not move as an integrated whole. The correction for this defect must be sought in the legs and waist. The principle of adjusting the legs and waist applies for moving in all directions - upward or downward, advancing or withdrawing, left or right. All movements are motivated by Yi, not external form. If there is up, there is down, when advancing, have regard for withdrawing, when striking left, pay attention to the right. If the yi wants to move upward, it must simultaneously have intent downward. Alternating the force of pulling and pushing severs an opponent’s root so that he can be defeated quickly and certainly. Full and empty should be clearly differentiated. At any place where there is emptiness, there must be fullness. Every place has both emptiness and fullness. The whole body should be threaded together through every joint without the slightest break. Long Boxing is like a great river rolling on unceasingly. Peng, Lu, Ji, An, Tsai, Lieh, Zhou, and Kao are equated to the Eight Trigrams. The first four are the cardinal directions: Ch’ien [South; Heaven], K’un [North; Earth], K’an [West; Water], and Li [East; Fire]. The second four are the four corners: Sun [Southwest; Wind], Chen [Northeast; Thunder], Tui [Southeast; Lake], and Ken [Northwest; Mountain].
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New Content in the QiGong Classroom
I explore the beginning stages of Building the Bows, the first real step into QiGong and Martial Art as Yoga, focusing on creating the strength needed to help open the joints and internal pathways. Take a look and let me know what you think! https://www.skool.com/internal-martial-art-as-yoga-2836/classroom/4ab576e1?md=0582891350e84bb298de012cd93b894b
New Content in the QiGong Classroom
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Qi Gong & Martial Art As Yoga
skool.com/internal-martial-art-as-yoga-2836
Exploring a subset of movements from Internal Martial Arts designed to free the joints, enhance flexibility and strength, and heal the body
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