Activity
Mon
Wed
Fri
Sun
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
Apr
May
What is this?
Less
More

Memberships

Mastering.com Members Club

35.2k members • Free

10 contributions to Mastering.com Members Club
How about a ProTools users group?
I see that most training video is Logic Pro based. Where are my other ProTools users at? Lets follow each other and give each other help and tips and maybe make some new friends!
0 likes • 8h
Im now Following You Brother!🫔
Mastering The Mix
Hey Everyone šŸ‘‹ Does anyone have EQAcademy Installed from Mastering The Mix on there Comp.?
Please help. What is/was your strategy for sound collection?
Again and again I keep running into the same issue - endlessly searching for sounds during creativity flow. Auditioning 200 snares and scrolling through presets and samples does not help the momentum. More and more this makes sense to me to have a collection of sounds prepared before producing. In recent Produce-A-Ton, Dane showed his collection of recorded sounds in Sampler menu. Now I’m eager to know whether ther’s like the best strategy for building my collection. What was your strategy? Did you organize by: Genre? Element (kicks, snares, basses, vocals)?Emotional character? Texture (warm, digital, dusty, aggressive, soft)?ā€œGo-toā€ sounds that always work for you?
Poll
26 members have voted
1 like • 18h
I’m constantly listening for Sounds. That is something I’ll never stop listening For! Everything that’s sounds different & I don’t Feel I have it! I sample it!!
1 like • 16h
@Luiza Milenova Oh Yeah a lot patient Listening! Mainly I Dig in My Crates of Vinyl, Tracklib, SampleLab, DrumKits from Other different Producers, etc. it’s a Neverending Story! lol I Love It!!
General age consensus of Mastering.com members
Hey guys, I just completed the "Music Production For Beginners" course and something I noticed was how he kept mentioning "A lifetime learning journey" making me wonder if at 52 years old, I'm kind of in the minority of members who are mostly young people here just starting out in the recording industry. A little bit about me. Back in 1991 I went to I.A.R. (Institute of Audio Research) a now defunct Audio Engineering trade school here in NYC. Being about 18 at the time I was too busy goofing off with friends to put in the serious effort to actually study hard and retain the information I was being taught, thinking I would just "wing it" and learn as I went along, some of which I did during my time interning at a professional music studio in Manhattan. However I didn't stay in the industry and went on to work a series of soul crushing office and manual labor jobs instead because they paid better and were more steady work. During I've always maintained a deep interest in Music making, teaching myself to play Bass guitar and playing in several local bands just for the love of the game. Later on I learned a little piano/keyboard but never really bothered to learn music theory because the internet as it exists today and all the wonderful courses available, such as those on Mastering.com weren't available back then. Now I am medically disabled and have a lot of free time and have decided to really put the effort into learning as much as I can about recording/mixing/mastering and creating music with the small digital home studio I put together. I was wondering what the general age consensus of the other members was and maybe a few of your own personal stories as to why you joined the site.
4 likes • 11d
Wow! Peter! We have similar stories. I also went to IAR & We are In the same age bracket. What I Keep telling Myself is I don’t want say I should have, would have, could Have! It’s never too late. As long as You have a passion stick with It!! Nothing but Good will come out of it. When I went to IAR once they said You need an Internship at a Studio. That’s what I did. I went from My Internship to Class and vice versa. In doing so I learned so Much that the Owners of the Studio asked Me if I wanted to work Full-Time as an Assistant Engineer. Never finishing IAR cause I was Doing what I wanted to Do. Also, Tho like You I was getting work constantly because I was pretty much living in the studio. The Thing was when I went to Freelance to track artists music I stayed in the studio so much & at this is was various Studios but being a freelance Engineer I didn’t have Management so it was hard Gettin My Money for my work. Calling Labels I would get a run a round that I didn’t have time for cause I probably would’ve been on the Front Page news for taking it out on one of the labels, so I too had get a so called ā€œReal Jobā€. I wouldn’t take back the experience of that I received during that time. I just had to eat it but I wouldn’t trade it for anything cause I did build relationships & I had fun. Now to present day, it’s only right that We follow our passion & continue cause The Sky ain’t a Limit! It’s just a view!
1 like • 8d
@Neeta Dash Thanks for sharing! It was very inspiring.
Greetings To All
I’m Mark. I was an Asst. Engineer from the Mid to late 90’s in NYC. I worked at Studios that are now closed. Which are Unique Recording Studios & The Legendary Hit Factory. So Music is My Life long passion. I’ve Assisted a lot of Great Engineers. I literally grew up in the genre of Hip Hop. I remember when it said Hip Hop won’t last. Now look fast forward 50+ Years later look at where Hip Hop is at today. So Now I’m ready to dig back deep into like I once was. I’m from the Analog era. Now I’m ready to take on this digital age by horns & Jump In Box & Get Busy! I’m ready! So let’s Make It Happen!šŸ˜‰
0 likes • 12d
@Clifton Duncan My Pleasure as Well!
1 like • 9d
@Moises Sanchez Yes I am! The Bronx to Be Exact! Home of The Bronx Bombers!šŸ˜‰
1-10 of 10
Spark Evans
2
9points to level up
@spark-evans-7280
Just a Kid from The Bronx that wants to create Music that makes People dance.

Active 8h ago
Joined Apr 26, 2026
Powered by