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117 contributions to Mastering.com Members Club
Feedback request
Hi everyone! If anyone has time to listen, I'd appreciate comments on this track. It's "master lite", mixed into a limiter and exported with the limiter on, without any additional mastering touches.
0 likes • 2d
Very nice and well balanced mix. For me, it's a touch on the bright side only. I'd like it to feel a little bit warmer in this style. There's also room to work with the width a bit more. Very much preference things though. Well done! Sidenote: you can defo push that mixbus limiter more to emulate how mastering will affect it. You'll probably see it bringing out the top end more.
The Foundation
I can't get both -5 on the TP meter and 0 on the VU for my Kick. It sits perfectly at 0 on the VU without any processing, but no louder than -12 on the TP meter. I used the smack attack plugin to get my TP meter closer to -5 it worked! But It pushes my VU meter way past 0. When I gain stage the Smack Attack plugin back down to 0 on my VU it brings my TP meter back down to -12. 🤦🏾‍♂️ This foundation method (so far) has not worked for me. I need some help.
The Foundation
0 likes • 3d
@David Palacios It was meant to be in response to OP :) @Phillip Winters
0 likes • 2d
@Phillip Winters You can attach the file of the sample using the 'paperclip' symbol visible in the comment window.
FTM 05-26 : Mix
Let's share and compare - any comments/thoughts appreciated :) I enjoy these challenges, as it really forces committing to choices I mak e. It was a little tricky this time, since the arrangement was so sparse, but this is how mine came out.
1 like • 2d
@Espen Håvarstein Takk skal du ha :) We keep going!
0 likes • 2d
@Clifton Duncan Thanks, man. Really appreciate that :)
To My Mentors!!
Can You Tell Me The Difference between the numbers on the bottom in fine print of these Songs?
To My Mentors!!
1 like • 6d
FLAC and AAC are audio codecs. 24 and 16 bit refers to bit depth. DAWs normally operate with 32 bit float, which is virtually unlimited dynamic range. 24 bit is standard for high res audio, typically what you operate at in mastering. 16 bit is CD quality (lossless). 48 khz and 44.1 khz are sample rates, i.e. the resolution audio is recorded at. 96 kbps is the bitrate, the amount of data transferred per second = bit depth x sample rate x channel (96 is very low quality). CD quality has a bitrate of 16bit x 44.1khz x 2(stereo) = 1411 kbps
1 like • 5d
@Spark Evans Dolby Atmos is surround technology, so it replaces the 2 stereo channels with multiple channels (depending on system) to create spatial height and depth, or surround sound as it is known. With more channels the bit rate naturally increases too, so it puts more demand on streaming and playback systems as well.
Round Table Discussion Today
SONO AI - Love it, Hate it, Tool or Trash it?
Poll
42 members have voted
2 likes • 8d
@Naren Duffy Seems to be a trend, like 'Anyone should be able to do anything with no skills or effort'. In my bubble however, there's no fun in doing things that don't take a lot of practice and effort. Like playing a game with cheat codes, it's just boring and pointless. Luckily, there are many of us too, so we'll be good :)
1 like • 8d
@Naren Duffy The Curse of Instant Gratification ;) The irony is that there has never been easier and more convenient to create music than it is today. The last 10 years alone, the tools to create, produce and ways to learn and practice have seen massive leaps forward. Good times. Everyone attracted to the 'easy options' will lose interest and move on soon enough.
1-10 of 117
Petter Jensen
6
1,454points to level up
@petter-jensen-2843
Fledgling songwriter/producer from Norway. Synthwave/POP/DANCE/EDM

Active 1h ago
Joined Oct 21, 2023
Norway
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