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146 contributions to Mastering.com Members Club
Gain Reduction vs Normalization (Foundation First > Organising Session > Gain Staging)?
I've been following the Mixing & Mastering Cheat Sheet Binder Course, with a fresh new project to follow along with. At the initial Gain Staging step of '12 Steps to Organise Your Session' I have come across a dilemma: In my DAW (Sonar) I can select all clips and then choose the following effects from the Process menu: 'Gain' - to cut or boost all clips by a specific number of decibels. 'Normalize' - to cut or boost all clips to peak at a specified level of decibels. My instinct is to use the Gain process so that the loudest clip peaks at the desired maximum level, but the rest of the clips are only adjusted relatively by the same amount, preserving the dynamics of the overall performance (ie quieter verses will still be quieter than loud choruses). Is there an argument to use the Normalization process instead, making all clips and song-sections peak at the same level and then restoring the performance dynamics at a later stage in the mix?
4 likes • 6d
If you think the overall balance of the mix is reasonable, use gain on all tracks to set your headroom to preserve that balance. If the mix is all over the place, use normalization to reset all tracks to the same peak level/headroom to start a new volume balance from scratch.
Reference Track too Quiet for Limiter Stress Test
I just downloaded I Won't Back Down by Tom Petty as a reference track, and the wave file looks like it never went through a limiter. Nothing even close to peaking out. I even raised it a couple db, and still has plenty of headroom. I'm looking to do a Limiter Stress Test, and am wondering if I should put some limiting on this track. If you knew how long it took me to finally find an MP3 of it (amazon would only allow streaming) you'd know my frustration at seeing this track being so quiet. Any suggestions would be appreciated!
2 likes • 7d
Older releases like these are likely mastered for vinyl and not maximum loudness. You can't use them to reference modern loudness for streaming - unless of course you're fine with that level. Which is absolutely ok. You get a lot more dynamic range, but it might sound a little quieter than other tracks in a playlist. You can use this for sonic reference, and a more modern track in the same genre for loudness if you like. Check out Petty's 'Finding Wildflowers (Alternate Versions)' album released in 2020, it should be mastered to loudness.
Got 2nd place in FTM
Hi Everyone! I have been attending FTM's since last year and it's first time I got a place in contest 😃. Here is my mix, https://drive.google.com/file/d/1YsqLwd3T3Qv-D-XwNWGIiIHLHieD_vwx/view?usp=sharing Your feedbacks are welcome :)
2 likes • 12d
Well done Abhishek! 😃
FTM 09-26 - My Mix
As usual in the spirit of sharing and learning, I'm posting my submission here as well - any comments suggestions welcome :) Submitted last night, but did a few minor tweaks this morning as well and updated it. Still not sure if it is a little too much low end in the first part, and I'm not totally happy with the impacts in the third section ... Within the time constraints, and the fact I'm not used to orchestral mixing, I'm fairly happy with the results :)
1 like • 13d
@Keegan D Thanks :) It was fun working on something completely different this time, and it still turned out reasonably fine too I feel.
1 like • 13d
@Keegan D ha ha, nothing is easy, but the hardest this time was defo to get the balance right through the different sections without regular drums/bass parts I'm used to. Great learning though.
Missed the FTM deadline. Would love feedback, though
Hey guys, long time no speak. I went through some rabbit holes to finish the mix and master, and I lost a lot of time fighting with my PC (performance problems) and a Cubase export-and-reimport bug. I did most of the work on busses, though some more mixing work would have saved me a lot of time. Also, if my friend didn't visit me for two hours, I might have had finished in time anyway. I do hear some unresolved problems mostly caused by premature exporting sub-tracks with plugins and my lack of wishing to go back to adjust and re-export. You might notice that on the piano volume automation. Anyway, would love your feedback to my mix and master of @Luke Despain - "Birth of entropy". Might come back later to finish it the proper way.
0 likes • 13d
Hey Artem :) I think the submit form had the wrong deadline, so hopefully someone will pick up your mixes here! First of all, I think there's been some time stretching in your track - bpm in yours is 101 it seems, not 110? First section sounds very nice, I would like the piano a bit more up front though. Second section I feel the sub is eating up the rest of the instrumentation and dynamics a little. Also in third section I think the low end is too much. I think you perhaps pushed your limiter a little too hard as well, I feel the orchestral part should breathe a little more?
1 like • 13d
@Carlos Barrera Cerón Very nice! I think first and third sections are excellent. In the second I feel you lose the instruments a little, the sub being somewhat overpowering? My 2c :)
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Petter Jensen
6
1,383 points to level up
@petter-jensen-2843
Fledgling songwriter/producer from Norway. Synthwave/POP/DANCE/EDM

Active 7h ago
Joined Oct 21, 2023
Norway
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