The augmented commander's mechanical hand trembles slightly while transferring the fractured holographic sphere to the android's waiting palms. The camera pushes in as lens flares bloom around the dying star's crimson glow behind them, ethereal particles drifting across the frame. Rich Kodak Vision3 tones render every scratch on the commander's armor and every circuit on the android's face in cinematic detail, rim lighting outlining their silhouettes against the smoky atmosphere.

I made this shot as part of an ad series.

Last week I was experimenting and put together a 13-second edit — basically the opening of a music video. It’s a little homage to the 90s grunge/rock scene that inspired me when I was younger. Short, raw, and fun to make. What are you working on?

I'm Robert, brazilian living in New Orleans - LA. I'm a video editor and motion designer, more focused on motion now, actually, but interested in filmmaking as well. I'm trying to catch all those AI surge (as much as my wallet permit).

I wanted to really test the limits of the techniques we're all trying here. I decided to put together a sequence that I could probably film myself. I figure if I can get something so familiar looking right then it'll be easier to get more fantastical subjects and settings working believably. So to that end, here's my morning coffee routine. For now it's just a series of images representing each shot in the sequence, all made with Nano Banana. I figure I'll end up needing some more insert shots and cutaways once I get into the video edit, but this is a good place to start.