I truly appreciate everything you’ve contributed to this platform. Although our time here was brief, you filled it with intention and passion, which is all we can hope for. Thank you for creating a safe environment for us to learn, grow, and express ourselves. I don’t see this as a farewell, but rather a “see you later.” I genuinely hope to reconnect with everyone who shared this journey. Who knows? Perhaps one of us will play a part in future lessons. After all, History is now.

Hope all is well, look forward to your return!

1. The Role of the Artist in Society: What responsibilities do Black artists have in representing and uplifting their communities?  A: Our responsibility is to identify and amplify the voices of the heard and unspoken past, present, and future. As Black artists, we possess the unique ability to draw inspiration from the challenges we have faced throughout history, expressing this through various forms of art in its rawest form. I firmly believe that our strength as storytellers, revolutionaries, and agents of change in the arts stems from our awareness of the obstacles from our past and current reality. Instead of allowing society to use these challenges as weapons against us, we can harness them as tools for calling others to action. Howard Mallory, a member of AfriCOBRA, stated in an interview, “Our self-worth is not defined by the power to be.” To uplift our communities as Black artists, we must remind our community that we have the power to become; we don’t have to accept the reality of merely “surviving in America.” As mentioned in the video, in order to build a nation, we must work together. While working alone may allow us to move quickly, working together helps us go far. 2. Defining Black Aesthetic: How can artists develop a distinct aesthetic that authentically reflects Black culture and experiences? A: Through community and classes such as this, this platform does not only educate us about the many Black artists and their voices, past and present, but it's also building a foundation by reflecting on Black culture and experiences. This empowers us with the tools to design solutions in today’s world. Authenticity emerges from a foundation paved before us, rooted in the Black Arts Movement. As a dancer, I learned early on how past movements influenced today’s genres and subgenres of different styles of dance. My mentor would say, “Don’t ignore the gap; instead, build the bridge.” This is how we cultivate a distinct aesthetic—by connecting the past with the present, honoring our history while innovating for the future, just as those before us did. The aesthetic exists within our lifestyle and experiences just as it did in the past. Now, we must consider how we can contribute to it.

I am excited to delve deeper into this class. Thank you for creating a safe space to educate and guide our growth in understanding our voices as Black artists. When analyzing Arthur Jafa’s work, I had to take a step back and view it in its entirety. Jafa mentioned in his interview that he’s not trying to convey a single message but instead aims to DO multiple things through his work, which creates a lens of simplicity through complexity because we can take in so much a once or break it down little by little. In his work, he shows the duality of events occurring at the same time designing it in a way that demands your focus and fixes your focus all at once, creating a rhythm of that throughout the installment— what are we choosing to acknowledge? Which side of history are we fixated on? What caught my attention, if you look at the hallway adjacent to the pipes on the wall, it illustrates the principle of proportion, which could highlight the limitations then of being black in America and the foundation that was laid to get us where we are today. I also couldn’t help but notice the reflection of the pipes. I believe it represents our past and the blood that was shed to build the body of black existence. Entering the installation gives us an introspective conversation as we see which history we’re fixated on. As you discussed iconography as a symbolic cultural representation created by the artist, I couldn’t help but see his work as one cohesive art piece rather than a collection of different works. We are witnessing the complexities of the term "Black" and its various implications, as the post suggests, when viewing the installation as a whole. I think Jafa is attempting to build tension. In today’s society, people often struggle to hold tension because it makes them uncomfortable, which is a feeling evoked by Jafa’s work. I don’t believe he intends to make a statement by simply stating something; rather, he wants us, as viewers, to engage deeply and process everything at once. His hope seems to be to provoke the tension that his work may uncomfortably bring while encouraging curiosity and introspection.