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Memberships

Music Placement Profits

41 members • $47/m

The Sync Vault

214 members • Free

Elevate Credit Skool

517 members • $33/month

5 contributions to The Sync Vault
🎯First ever live Q&A - tonight @ 8PM Eastern!🎯
One hour. Your questions, my answers. No agenda, no slides, no sales pitch. Just whatever you've been sitting on and haven't had a chance to ask. Bring your real questions. The ones about pitching, catalog strategy, supervisor relationships, metadata, one-stops, libraries, briefs - whatever's been living in your head rent-free. The only way this is worth your hour is if you come ready to ask something specific. Drop your questions below so I can prep, or just show up Monday and fire away live. Link on the Calendar to join. See you there.
🎯First ever live Q&A - tonight @ 8PM Eastern!🎯
0 likes • 8d
Hey guys. Where is the link for the Q&A? Im excited about this
🎊Weekend Challenge - Take Action Toward a placement🎊
Pick Your One! Look at your catalog right now. Pick the single track you believe is the most sync-ready. Not your favorite. Not your best produced. The one most likely to fit under a scene without fighting the picture. By Monday, post in the community: The track title, what type of scene you'd place it in, and one thing that might be holding it back from being submitted today. Let's go! PS...happy friday!
🎊Weekend Challenge - Take Action Toward a placement🎊
0 likes • 11d
@Jamie Fontaine-Ellis yeah "The Greatest" Came in too hard!!!! I dig it!!!
0 likes • 9d
taking my action toward a placement. Let me know what you guys think.
How do you actually get a sync placement? Let's talk live.
The wait is over - I've got your answers. Starting Monday, March 30th - I'm going live here on Skool every week. Weekly Live Q&A | Mondays at 8pm ET / 5pm PT Every week I'm answering your questions about getting your music placed on TV, film, ads and video games. We'll dig into: - What music supervisors actually want (and what makes them skip your track) - Why pitches get ignored - and how to fix yours - How to build a catalog that gets licensed consistently Drop your questions in the comments so I can come prepared. First one is Monday, March 30th. And if you're ready to stop guessing and start getting placements - the Sync Vault Accelerator is my monthly coaching membership where we go deep on all of it. Book your 30 min coaching call for a taste and I'll give you the scoop See you then!
How do you actually get a sync placement? Let's talk live.
1 like • 11d
I missed our coaching call Mr. Macrae. I am in the middle of a cross country move. I definitely want to jump on this live Q&A
How do you actually get a sync placement? Let's talk live.
Coming soon: Live Q&A Got questions about getting your music on TV, film, or ads? I'm going live to answer them - we'll dig into what music supervisors actually want, why pitches get ignored, and how to build a catalog that gets licensed. Pick your best time below. I will decide based on the poll by Thursday evening when to do this Q&A, and we'll update you all then. Earliest start will be next week.
Poll
13 members have voted
How do you actually get a sync placement? Let's talk live.
1 like • 22d
So this is going to be today?!
1 like • 21d
Ok. Awesome
🔥Submit your question for the Sync Vault The Podcast?! 🔥
🎉It's official! The podcast is coming!🎉 Next week I'll be recording the first episode of the Sync Vault podcast with special guest Jim Leavitt! He's a veteran sync agent, an OG mentor of mine and all around good guy. Submit your questions here for Jim and there's a good chance I'll ask him and give you a shoutout on the pod! Jim Leavitt runs House of Sync. He brings 30+ years of music industry experience spanning iconic catalog management (Chess Records' Chuck Berry, Howlin' Wolf, Etta James), independent distribution leadership as Head of Sync at The Orchard (Sony Music), and video game licensing at Ubisoft for Rocksmith+. At The Orchard, he led sync placements for artists from Bad Bunny to BTS across global film, TV, and advertising. Now as co-founder of House of Sync, he represents independent artists with the same strategic approach he brought to major catalogs—bridging the gap between indie creativity and commercial opportunity with decades of supervisor relationships and licensing expertise.
🔥Submit your question for the Sync Vault The Podcast?! 🔥
1 like • 25d
Why synch and why now more than ever?
0 likes • 22d
@Glenn Macrae Why it is a good choice as far as what to go for in the music business as a producer right now. And why that might be a different way to enter the business to produce for artist by getting your music placed in a synch opportunity for TV or a movie.
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Joshua Goodlow
2
15points to level up
@joshua-goodlow-2885
Free spirited, Music producer. Athlete.and Forex Trader.

Active 12m ago
Joined Mar 11, 2026
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