There's a library composer who's been placed 40,000 times. Do the math and it works out to one cue a day, every day, for 15 years. What I see is consistent output aimed at about 80% instead of chasing perfect. Most people can't even tell the difference between someone's 80% and their 95%. If you're stuck polishing one track for a week, you're optimizing for the wrong thing. What's your "aim for 80%" number: how many tracks could you actually finish this month if you stopped chasing perfect?

One hour. Your questions, my answers. No agenda, no slides, no sales pitch. Just whatever you've been sitting on and haven't had a chance to ask. Bring your real questions. The ones about pitching, catalog strategy, supervisor relationships, metadata, one-stops, libraries, briefs - whatever's been living in your head rent-free. The only way this is worth your hour is if you come ready to ask something specific. Drop your questions below so I can prep, or just show up Monday and fire away live. Link on the Calendar to join. See you there.

Pick Your One! Look at your catalog right now. Pick the single track you believe is the most sync-ready. Not your favorite. Not your best produced. The one most likely to fit under a scene without fighting the picture. By Monday, post in the community: The track title, what type of scene you'd place it in, and one thing that might be holding it back from being submitted today. Let's go! PS...happy friday!

The wait is over - I've got your answers. Starting Monday, March 30th - I'm going live here on Skool every week. Weekly Live Q&A | Mondays at 8pm ET / 5pm PT Every week I'm answering your questions about getting your music placed on TV, film, ads and video games. We'll dig into: - What music supervisors actually want (and what makes them skip your track) - Why pitches get ignored - and how to fix yours - How to build a catalog that gets licensed consistently Drop your questions in the comments so I can come prepared. First one is Monday, March 30th. And if you're ready to stop guessing and start getting placements - the Sync Vault Accelerator is my monthly coaching membership where we go deep on all of it. Book your 30 min coaching call for a taste and I'll give you the scoop See you then!

Coming soon: Live Q&A Got questions about getting your music on TV, film, or ads? I'm going live to answer them - we'll dig into what music supervisors actually want, why pitches get ignored, and how to build a catalog that gets licensed. Pick your best time below. I will decide based on the poll by Thursday evening when to do this Q&A, and we'll update you all then. Earliest start will be next week.