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29 contributions to Mastering.com Members Club
My FTM-26-11 WICME Mix (Feedback wanted)
(EDIT: Probably done with it, LOL. https://www.skool.com/mastering/my-ftm-26-11-wicme-mix-feedback-wanted?p=038bf8f1 ) Hey guys, I probably should've posted this on Tuesday, but after having finished, I was in "recovery mode" and also quite busy the next days... So, this is still the same mix+master I entered the contest with; I worked less than 10 hours on it, including a 2h break and a lot of shorter ones. When checking my second master export, I got a "dentist drill tinnitus" and knew it was definitely time to finish. (Maybe listen now and then compare your thoughts to my own notes in the next paragraph?) So, I usually try to figure out myself in a clear-headed manner, why the finalist tracks were chosen instead of mine. This time I'm pretty sure the drums were the main problem. I hardly ever listen to hard Rock subgenres or Metal, especially on headphones, so, especially when I re-listened to my version today, I though "it might be caused by your remembering how you listened to Metal-like stuff on cheap earbuds in the youth". I was "satisfied enough" with the drum sound itself and didn't do much except for adding bx_SubSynth (Plugin Alliance) and Baby Audio Subculture on kicks and reducing the harshness of cymbals, having rather disregarded following the usual Foundation-First way strictly enough. Otherwise I can't remember doing anything to them except what I did to every group - using ADPTR Sculpt and adding some reverb. So, they indeed feel more like "earbud drum hits" instead of those carefully crafted "3D-depth" drum sounds I heard from other contestants. With the VOX I mostly battled with the annoying-sounding reverb on the plosives, both in the mix and the master. I got it to where I could tolerate them, but I often do concentrate on a small detail problem that many others would not notice, and could actually lose overview over bigger-scale problems, until someone more experienced leads my attention to them...
0 likes • 1d
@Petter Jensen Yeah, maybe, but is better now in that area? I wanted to keep it smooth and I often prefer drums to be more felt than heard and support the drive rather than than be the leading force of it; when the song is this smooth it is for me rather like "stones falling into _the sea_ of sound and forming the ripples, morphing its reflection" than "banging on drums in the middle of an arena" hard. When listening on speakers, though, it felt again like the voice gets too apathetic, kind of too sedated feeling through the final layer of compression I added on the already printed bus. So, might still work more on the release or crest ratio. P.S. The drums are a bit more defined "in reality", but it it was hard to get them through with FUSER, along other side-chain tracks, so that stuff wouldn't clash. It was a compromise, considering it was an adjustment of already working mix and master and not a fresh attempt.
0 likes • 1d
@Petter Jensen I thought about adding some distortion to the drums in this part, or also some more mixing adjustments, gonna see first what my PC allows me to do ;) I was relistening now a couple of times and think I might need couple of days break with this song anyway. You can't imagine how unnerving it is to listen through quarter of a song or more to only then become 100% sure the playback sound is wrong again, restart the track, and have to do it up to 5-6 times for every listen, and stuff can go wrong again during you listen to what started fine. That's why I did almost no audio work at all since finishing those Intensives last year, other than taking part in most FTMs since. And obviously, even though I bought SoundGym Lifetime two years ago, I can't use it with this PC. And when listening to other people's music I can''t ever now "does the audio engineer really suck this much or is it my system again".
Drum kit processing tutorial tomorrow morning with David Brancato (11am CST) **Link will be live till next Tuesday**
Hi everyone, As part of following up this recent fix the mix, we have a learning opportunity that's been arranged with David Brancato (this FTM's winner) to look at his drum processing and process. Meeting details below. Join us if you are able, it'd be great to see some members on the call! We expect to be less than an hour. Contact me with any questions or concerns, I may or may not have the answer. I'll do my best! Also I'm not a zoom expert so I'm unlikely to troubleshoot your zoom issues as FYI, not that there will be any! The plan was for the link to stay live for a week, so unless we get some response to keep it going a bit longer I'll remove the page then. Topic: David Brancato's Zoom Meeting Time: Nov 10, 2026 11:00 AM Central Time (US and Canada) Join Zoom Meeting https://us06web.zoom.us/j/86801104847?pwd=BjwnXbrAd5C6U5UI8wQAB5XqbVJkpk.1 Join and take notes https://us06web.zoom.us/j/86801104847?pwd=BjwnXbrAd5C6U5UI8wQAB5XqbVJkpk.1&mynotes=on Meeting chat link https://us06web.zoom.us/launch/jc/86801104847 View meeting insights https://us06web.zoom.us/launch/edl?muid=3c01aa91-e13d-4c68-a61c-8cfa552d445f Meeting ID: 868 0110 4847 Passcode: 151121 --- One tap mobile +13052241968,,86801104847#,,,,*151121# US +13092053325,,86801104847#,,,,*151121# US --- Join by SIP • [email protected] Join instructions https://us06web.zoom.us/meetings/86801104847/invitations?signature=5lztToETIrNRpy3hbKPhX9Jd6G2BdL-A1C4spNBKuYs
2 likes • 4d
@Paint Masteringdotca @David Brancato Would you guys mind if I'd record with OBS? Of course, no sharing planned, at least - outside of this platform.
2 likes • 4d
@David Brancato Looking fine, just sent the link to the other David
🎵My mix for Fix-The-Mix contest🎵
This isn’t my genre, but damn, I got so much joy mixing this song. I especially like the end section of the song🤘 + After revision, I added 3dB into the limiter and some another adjustments now this mix sounds more satisfying to me than previous version.
🎵My mix for Fix-The-Mix contest🎵
1 like • 5d
Nice job, Alexey, and it felt closest to my own approach, which was probably a tad under-processed. What stood out negatively to me in your V2 would be volume balance of that strummed part at about 2 mins (felt too loud) and that psychedelic "mid-part-outro", not sure what to call it, that psychedelic guitar fade-out sound, which felt too quiet. But it may be the overall closeness to my own work, which made me be especially picky on those two parts. They didn't stand out to me in an unnatural way in other people's mixes, though. If you'd like to compare to mine and say what you'd think about it, here's my post: https://www.skool.com/mastering/my-ftm-26-11-wicme-mix-feedback-wanted
1 like • 5d
@Alexey Gripas I meant the short dub-like wah effect when one guitar stops playing - just before the hard chorus begins, I believe.
FTM 11-26 - WICME - My Mix
Another great FTM, and what an awesome track this was. Really enjoyed giving this a shot, and looking forward to hear what everyone comes up with. Here is mine, and appreciate any and all constructive critiique - we're here to learn! :)
1 like • 5d
Nice mix, Petter. I do agree that "that fizz in the fuzz" doesn't fit the very "clear-margined" drums too well and more balance in either direction would improve it a lot. Will you attempt an adjustment? I do plan to do that with mine later this week and would love to hear what your notes would be about the current (the contest entry) version. https://www.skool.com/mastering/my-ftm-26-11-wicme-mix-feedback-wanted
FTM Nov 2026
I got to play this round. I did not have a lot of time today, but I squeezed it in. I had maybe about a four-hour window at the end of the day. Enjoy. https://drive.google.com/file/d/18p9Rq_51naY1q0DS5wNWK2cZRtR4ihKs/view?usp=sharing I'm updating the post because I've been asked more than once which drum sample library I used in this mix. The drums in my mix are the same tracks from the folder. I didn't replace the kit or layer in additional samples. There were no overheads in the folder, and no drum room mics, so I created a space for the drums artificially with some reverb. I'm happy to share techniques if you want to know!
1 like • 5d
@Nathan Hershfeld The drums are overpowering everything a bit, they could maybe work this way, but only if everything else is more "up to scale". Other than that, pretty nice mix.
0 likes • 5d
Great job, David, I did vote for you and did congratulate you mentioning "balance is the key" or something like that as the reason for my vote. But, apparently, you weren't there :) I would love it if you could say something about my mix&master, I'm not sure, but it could've been the first time ever I mixed this type of music, at least, after having learned the craft "well enough". I would like to make an "adjustments go" this week and would love to hear if you'd agree on what I saw as my main problems with this attempt. Also really would love to hear how you processed those drums :) Here's my mix: https://www.skool.com/mastering/my-ftm-26-11-wicme-mix-feedback-wanted
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Artem Meshbeyn
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@artem-meshbeyn-2855
Producing in different styles, interested in experimental mesmerizing stuff :)

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Joined Nov 11, 2022
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