Activity
Mon
Wed
Fri
Sun
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
What is this?
Less
More

Memberships

Mastering.com Members Club

33.3k members • Free

The Reverse Engineer

1.8k members • Free

Mastering Intensive

66 members • Free

Production Intensive

130 members • Free

MoaM - Coaching

498 members • Free

The Profitable Engineer

104 members • Free

The Profitable Engineer 2.0

91 members • Free

Sync Licensing for Income

74 members • Free

40 contributions to Mastering.com Members Club
The biggest breakthrough after learning SSL 4000 Channel Strip
While studying the SSL 4000 E Channel Strip, I stumbled on info that completely changed how I think about music production process. It defined my new direction where I want to go next in my journey -> dive deeper into producer skills of sound selection. It turned out, in the past engineers didn’t rely on endless plugins to fix a mix later.There was no “I’ll repair it in mixing” approach. Instead, they relied heavily on the quality of the source and the great sound selection so sounds fit together without forcing. Once it hit the SSL console and a few pieces of outboard gear, that was basically the mix. No 50 plugins. Quick mixing decisions for each channel. No endless tweaking. Just great sounds going in. I was like “whaaaat… only SSL console?” Suddenly I caught myself doing exactly that, relying heavily on forcing the sounds to fit together later in mixing. I realized I have absolutely no strategy in sound selection. It cannot be just “oh I like it”. So, that it's one of the most important lessons in this March 2026. Focusing now on new direction, on how producers are good at the sound selection. How to do it.
The biggest breakthrough after learning SSL 4000 Channel Strip
2 likes • 3d
I adopted a "GIRATS" (Get It Right At The Source) mindset some time back, and it really changed my mixes for the better. I ditched most of the plugins I had collected, and did a full fresh OS install and tried using only the Cubase stock plugins for a while. Only when I felt they couldn't get me something I wanted did I re-install a 3rd party plugin that could. So I have a much smaller set of plugins now (mostly UAD), and spend more time getting my sound right going in, so barely need to do any mixing after (usually just a bit of dynamic EQ and maybe some saturation). I did recently check out a few channel strips to see if there was something quick and simple, and came across the Kiive audio "S-Quick Strip" and it's really great - has a transient shaper, compressor, saturation, and simple EQ - pretty much all I need, so very much enjoying that.
How to Book a Mentor Check-in
If any of you are having trouble booking check-ins, or are new to Mastering.com Membership, we've put together a new document that walks through the process of booking a session. (Standard and Premier Members can upgrade to VIP at https://skool.com/mastering/plans to receive Check-ins and access to other benefits) As a VIP member, you can book one Check-in session per calendar month for one on one mentoring. The sessions are in 15 minute increments and are for asking questions or reviewing tracks you are working on, both assignments from the curriculum and personal music. These sessions are open to members to join and view to learn from watching the mentor sessions. Please read this doc carefully for full instructions: https://docs.google.com/document/d/1TWVySVsg6QyOED7G9CVf8HtwAxDWHRSzy5ggTMwm0wU/edit?tab=t.0 Hope to see lots of you on calls soon.
1 like • Jan 27
@Jane Greer I checked this for you - you used a different email address for your account here on Skool, so your existing membership wasn't linked to it - I just manually fixed that for you now, so you should be able to book your calls using the link in the Classroom ("Check-In Booking & Replay Links").
Powered monitors and transient surge
My powered monitors are usually on, also when the preamp is not. Now, when I turn the preamp on, a transient surge or DC offset causes an unpleasant and possibly harmful thump. What is your preferred solution to the problem? Mute circuit, DC-blocking capacitor maybe? Power-up sequencing is not a solution - if it was, the whole problem wouldn't exist :) Thanks in advance!
2 likes • Jan 16
I have a Mackie "Big Knob Passive" and have gotten into a habit of always hitting the mute button before turning anything on/off. It's a very useful studio addition for other reasons too (mono switch etc).
Post-Holiday GAS Reality Check
Hey tribe, first post here. I make psychedelic pop/rock, and I'm here to do the responsible adult thing, which is to take my holiday cash and immediately turn it into a cardboard box I definitely need. So, let’s talk shop. What would you grab from this list? UA Apollo interface to replace a Scarlett 4i4 3rd Gen From what I can tell, UA's Apollo interfaces have a strong ecosystem and support, but they might also result in spending more time picking plugins than making music. Don't my existing plugins already do a decent job in the DAW for most of this anyway? I've never had a "luxury" interface like this, so I'd love a reality check from people who live on one. V47 Tube Mic Build Kit to replace an AT2020 This seems like it could be a pretty big source-tone upgrade, with charm and character for days, and maybe it takes compression in a more flattering way. But it also feels like a potential maintenance rabbit hole, plus time holding a soldering iron instead of a guitar. But mah vintage vibes! UA Sphere DLX modeling mic Going this route would let me bypass the build process while still chasing that vintage mic vibe, plus I'd get to try a bunch of legendary mic profiles since I don't fully know what fits my voice yet. But now we're right back to "too many choices" hot in the middle of the workflow again. Roswell Mini K47x Finally, we may have arrived at the most practical of all the possibilities, as well as the most cost effective. A single, smooth, out-of-this-world vocal mic that's easy to mix. Plus it's dead simple, buy it, plug it in, and use it. Alright, enable me or save me. If you could only choose one, are you buying? If so, what are you buying and why?
0 likes • Dec '25
@Chris Morris If you do any guitar / bass / keyboard / synth recording, their amp emulations are really great, and there's no noticeable latency so you can track through them. I've been trying to stick to the "get it right at the source" mindset, and this really helps with that, I have minimal work to do after when I'm mixing. Also helps with the DSP, I have some recording chains saved for different things and I just disable them once I'm done. Also, any of the plugins you buy for your hardware, if there's a native version available then you get that included, so using some of those for things lightens the DSP load.
0 likes • Jan 5
@Chris Morris I have the Ampeg SVT-VR bass amp, and the Friedman Buxom Betty guitar amp. But you can demo everything before buying to find what suits your style best.
Audio Production Specialist needed in Colorado
I got sent this, so figured I'd post it up here in case there's anyone that might be interested! I don't know anything about it, just forwarding it, so please direct any queries to them! https://jobs.dayforcehcm.com/en-US/fotf/CANDIDATEPORTAL/jobs/8403
2
0
1-10 of 40
Sam Mahoney
3
3points to level up
@sam-mahoney-8043
Support @ Mastering.com

Active 12h ago
Joined Aug 26, 2022
INTP
Powered by