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The Artist’s Path

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Join a supportive art school and community for artists mastering drawing & painting skills, growing their art business & staying consistent ✍🏻🎨🔥 ✅

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15 contributions to Painters Hub
A New Creative Space For Artists After Painter’s Hub Closes 🎨
Hello everybody, my name is Robbie Allen. I’m an artist from England, and also a very close friend of Samuel Earp. I wanted to make this post firstly to say thank you to Sam for everything he’s created here with Painter’s Hub over the years. Back in 2013/2014, Sam and I shared a studio together in Queenstown, New Zealand. He was actually the first person who ever took me oil painting outdoors and introduced me to plein air painting. I’ll always have a huge amount of gratitude and respect for him, not only as a painter and teacher, but also as a friend. So before anything else, if you’re considering joining Sam’s paid art school, I genuinely recommend it. Sam is an incredible landscape painter, a brilliant teacher, and somebody who truly cares about helping artists improve. If you’ve enjoyed this community, I think you’ll get a lot from continuing the journey with him there. At the same time, I know not everybody is in a position to join a paid community right now, and with Painter’s Hub closing, some of you may be looking for another creative space to continue sharing work, staying consistent, and connecting with other artists. Because of that, Sam kindly allowed me to share my own community here. My community is called The Artist’s Path, and it’s a free Skool community focused on drawing, painting, artistic growth, consistency, sketching practice, and creative momentum. One of the main things we do is a weekly live Sketching Hour, where artists from around the world come together to draw and sketch live together. Each week, I prepare a theme and reference material for people to work from, and it’s become a really enjoyable space for artists to build rhythm, practice consistently, and interact with each other creatively. The community is open to traditional and digital artists alike, whether you’re interested in landscapes, figure drawing, sketchbooks, painting, or simply wanting more consistency and encouragement around your art practice. If any of you are looking for another supportive creative space on Skool after Painter’s Hub closes, you’d be very welcome to join us.
A New Creative Space For Artists After Painter’s Hub Closes 🎨
1 like • 2d
@Suzanne Stannard You are more than welcome to Suzanne, I’d be happy to have you there :)
2 likes • 2d
@Patrick McSherry I completely understand that Patrick, and honestly I think a lot of artists feel the same way. Even having a place to share work occasionally, interact with other artists, and maintain some creative rhythm can make a huge difference over time. And yes, Sam really did build something special here. I’m glad this community has had such a positive impact on you 🎨
Time to learn
Looking forward to enriching my painting skills.
0 likes • Mar 23
Hi Mary Jane, That's great that you're painting at 76 and that you've got all of that experience painting different objects and things. It would be cool to see your work. Feel free to go and upload it.
Acrylic Study
Hi everyone, I’ve continued working on my acrylic study. What do you think — do the tonal values work better now? Do the fallen branches in the foreground look odd? I’d really appreciate any tips or feedback!
Acrylic Study
1 like • Feb 23
Nice work Renate. I really like the colours, and the mood in the background, with the focal areas of the tree and horses, lovely work., well done. In regards to tips and feedback, the fallen branches lower down to the left that you mentioned, are they placed there because you were painting from a photo reference, and that's where the branches were placed when the photo was taken, or was it by your own design? I think you have a golden opportunity to improve your composition here by changing the position of the branches, and also perhaps the shape, and how it can lead the eye to the focal area. If they are fallen branches, and they are supposed to be flat on the ground, then how they are positioned here, they look slightly elevated from the floor. Also, with it being so close to the floor, and the shape of it, to me it draws the eye in, almost as if it's some creature creeping in, a predator almost, stalking its prey. For the valiues, I would say you can go slightly darker in the foreground, the branches to the right, and the grass area right at the front. I think that will really help frame the painting. For your focal areas, they read to me as; 1st - The Brown horse 2nd - The Midground tree 3rd - The White horses to the right Also, I think there is slightly too much contrast in the foreground trees to the left, where you have the patches of saturated colour, and light & dark tones. I hope that helps :)
1 like • Feb 25
My pleasure Renate, I know the feeling. Sometimes we have to visit a painting many times over to make corrections to it, and it's often after breaks away from the work, that we notice (new) mistakes, or areas we want to improve/fix. Keep going, until it's ‘right’ 😉 I’ll look forward to seeing your next update, feel free to tag me in it :)
Gouache 1
Picked up some gouache lately and decided to giving it a try. Just playing around and seeing where it takes me. I wanted to switch things up a bit since I work mainly in digital.
Gouache 1
0 likes • Feb 23
Nice work Stefano, I feel like the middle island is the focal area for this?
Welcome to the Painters Hub - START HERE
Hello! Welcome to the Painters Hub. I'm Samuel, and I'm so glad you're here. 🎥 First: Watch my 10-minute Painters Hub tour (see video below 👇) See exactly how to navigate the community + discover which option is right for your painting journey THE TRUTH ABOUT LANDSCAPE PAINTING Most artists struggle because they jump straight to colour without understanding the foundations. Here's what actually works: Values do all the heavy lifting. Colours get all the glory. That's why we start with sketching and tonal values, not pretty colours. Master these fundamentals, and your paintings will transform. WHAT YOU GET IN THE FREE PAINTERS HUB I've organised my best YouTube tutorials into structured painting courses, so instead of hunting through hundreds of videos, you've got a clear path to follow. These courses cover my core techniques for landscapes, values, colour mixing, all the fundamentals you need to improve. READY TO GO DEEPER? For Rapid Transformation: Join the Sam's Art School ($39/month or $299/year) If you're serious about transforming your painting in the next 7 days with my complete framework—thumbnails, master sketch, values, colour, Sam's Art School is where that happens. You get: - Weekly LIVE painting classes where we work through paintings together - 60+ in-depth live class recordings, much more comprehensive than standard tutorials - My complete 4-stage framework for landscapes - Full critiques of your work - All the painting tutorials from the Hobby tier (so you get everything in one place) - An active community of committed painters - 14-day guarantee - cancel anytime The Art School is the complete package; everything I offer is in there. JOIN SAM'S ART SCHOOL: https://www.skool.com/samuel-earp-online-art-school/about Other Options That Fit Your Journey: I know for some of you, $39/month isn't in the budget right now, and for others, you might not be ready for the live class commitment just yet.
Welcome to the Painters Hub - START HERE
0 likes • Feb 23
@Stefano Manente Welcome Stefano, I have a digital art background too, and then later I delved right back into traditional painting. I also paint with gouache, but I usually mix it with watercolour for my lightweight travel plein air paintings. Oils, though is my favourite!
1-10 of 15
Robbie Allen
3
43points to level up
@robbieallenart
Helping artists level up their skills, productivity, mindset, and make their first £5k - £10k through their drawings and paintings.💸🎨

Active 10m ago
Joined Jan 11, 2024
ENTJ
Brighton, England
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