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Owned by Richard

The Didgeridoo Method

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Master the didgeridoo with the complete Didgeridoo Mastery Course. All taught and supported by Ric from the band Echo Town. Post your wins!

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3 contributions to Mastering.com Members Club
Processing a summing stack rather than individual tracks
I've been mixing and producing my own music for a while now but as is the same with all of us I wish to continually refine my approach. As a time saver I have been processing the summing stacks (vocal bus) for backing vocals rather than each individual track within that stack. I imagine this isn't the healthiest approach but I'm taking into account CPU and the fact that each of the vocals sound very similar. No one told me I should process every backing vocal on one bus, I just assumed that made the most sense. Obviously I will do edits on particular tracks if something stands out. I tend to split the vocals into different summing stacks based on whether they are high or low harmonies etc, but as I said all of the processing is on the bus. Is this a standard approach? Would I stand to benefit from processing all the tracks individually or is this just a matter of taste? Cheers all Ric (Echo Town)
Commitment statement
My goals seem simple; make my yet to be published website a viable site for mixing and mastering music productions. The road getting there, not so simple. While being a perfectionist should not be an issue, minor rabbit holing might be. I will have to remain vigilant as I progress so I don’t get enamored with a new idea or technique that might lead me to push aside more critical items. Each Intensive, Mixing and Mastering, has showed me just how far I have to go. This is where imposter syndrome could raise its ugly head. But I constantly remind myself to look, listen and observe all media. And it’s evaluating what I observe that makes me believe there’s a place in the market for me. I just have to find my niche. And finding my niche is where this community plays such a vital role. To commit to study 4 days a week on this site with the plan to make it a daily habit is the starting point. Mentorship is another key factor I plan on utilizing along with leaning on many of you for help along the way. And I’m hopeful I can be helpful to all of you as well. I’m looking forward to the challenge.
2 likes • 21d
One good tip is understanding that a mix is never truly finished, you could tinker forever and perfect forever. You just have to let it go from your grasp. I guess that’s why it’s called a “Release”. Set them free.
Mixing with headphones
I end up creating a quick mix of tracks for my students and often with headphones, but when I listen back in the car, it's just not the best. (sigh). Please give me any advice possible from the type of headphones I should use to any tricks with the volume balance. I have 3 different headphones, Sony MDR-7506, DT770pro80d7 and HD280Pro.
7 likes • 21d
Always use a reference. Headphones will definitely lie to you unless you are super familiar with music on them. Create a reference playlist of songs you are familiar with on all sorts of systems, listen to those in your chosen cans. Then throw your mix in the middle of it all, you will be able to tell right away if it’s boomier or too much high etc.
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Richard Harrison
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@richard-harrison-7362
Guitarist and multi-instrumentalist, singer, in the band Echo Town. Personal studio set up at home for music production. Part time photographer/artist

Active 8h ago
Joined Dec 26, 2025
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