The main thing I learned from this master copy is how to work with values in a high key. I don't think I quite got the nuance and subtle value transitions, and my copy is a value darker from the original overall. My drawing feels a little more punchy than the original. I had a lot of fun with this copy. This is an absolutely exquisite painting and I'm surprised it's not more famous. Mars Lumograph 2B, 8B, White Stabilo CarbOthello, charcoal on Strathmore toned grey paper