Lip trills look simple. But doing them really well is not. The quality matters. If your lip trill is unstable, pressed or collapsing, you are training the wrong coordination. A good liptrill needs steady airflow, relaxed lips, and no unnecessary tension in jaw, neck or tongue. This is exactly why I make ALL my students do them. Beginners, semi-professionals and professionals. Yes, I "torture" everyone with it because you can train and prepare so many essential things with this one exercise. If you do it correctly, it becomes one of the most powerful tools you have. You can also take another look at Chapter 3 in my ONLINE MASTERCLASS where I show you exactly how to work with it in details.

In these two videos I’m trying to reconstruct the first breathing exercise — both the first and second phases. I’m not sure whether I’m doing it correctly or if I’m taking too large an inhale. I still don’t have a sense of relaxation during the inhale; it feels like my breath isn’t low enough to feel an air cushion — it feels too high, lifting my sternum and creating pressure on the glottis. Also, I’m not sure where I should feel the air leaving on the exhale, i.e., where the body should squish

I still have some uncertainties about the first breathing exercise. So the exercise is done on the sound "ssss" by holding it as long as I finish a phrase of an aria/song/Lied I chose? And I repeat that for every phrase until the end of the aria? And between those, is there the reflexive inhalation? Or?

For everyone already working with my Masterclass "The Golden Path into Opera Singing": Kristina asked a really good question about Chapter 2 (Breath Management), and I´d like to expand on this a bit for you. Even if I already answered her in the comments, this is something many singers struggle with. Go back and watch carefully how Anatol and I demonstrate the two basic breathing exercises. Don´t just look what we do. Pay attention to how it feels in the body. The chapter is only about 8 minutes long, but already contains all the essential basics and very clear demonstrations. Take your time with it. It can also help a lot if you film yourself while doing the exercises and compare it to the video. What you FEEL and what you actually DO are often not the same. What really matters is not taking more air, bur how you release and manage while singing. The stability comes from coordination, not force. When you practice, focus on keeping the expansion of your ribs, avoiding unnecessary tension in the neck and shoulders, and allowing the breath to flow instead of pushing it. Also take your time with both chapters Posture and Breath Management. This is the foundation of everything. I always compare it to opening the lid of a piano before playing. Without that, nothing really works. What do YOU notice when you work through Chapter 2? Let me know below :)

Hello, I’m excited to be here. Last May I hired a voice coach. I’ve been singing my whole life but realized I had been straining and my voice getting tired. I knew I wasn’t breathing properly or sighing properly. My voice coach is professional, talented & patient. Watches how I do the things… I cant do weekly lessons so I do monthly. I get a recap of the lesson with homework. I know myself and know I get busy with work and life, I don’t practice enough. I’ve been working on breathing techniques and hitting my highest note- I think it’s a C#5. I’m somewhere between a tenor and contralto. Working on Singing AH - 5 Tone scale, droopy, MUH 135 Dopey-placement is an area I’ve been really working hard on. Any tricks or tips is much appreciated. Thank you!