Hey y'all! Been chatting with @Caleb Loveless about how to make the "Fix-The-Mix" Challenge even better and we need your opinion. Currently, "Fix-The-Mix" is completely free, but if you upgrade to VIP, you get lifetime access to THAT MONTH'S recordings. But this means you'd have to buy VIP every month to see our year's worth of recorded challenges. Which of these would you rather have. Or, if you have something else you'd prefer, drop it in the comments 👇 *** No promises here, just trying to get some feedback so we can make this better! I'd love to do everything for free... but keep in mind we do have families to feed lol.

I’ll cut right to the chase… I am beyond stoked to announce that legendary producer (Aerosmith, The Fray), and founder of Produce Like A Pro, Warren Huart, is officially joining the Mastering.com team! Starting this month, Warren will be working directly with our students in our mentorship program, “The Reverse Engineer”, as well as helping our team secure strategic partnerships to help us continue to build the future of music production education. And to celebrate the good news, we’re hosting a special event that we’re opening up to the public completely free. On Tuesday, July 11th-13th, Warren our next “Fix-The-Mix” Challenge with our team! If you haven't attended a Fix-The-Mix in the past, this extensive 3-day masterclass is designed to get you to break through whatever plateau you’re at as a producer and finally start getting industry-standard, radio-ready sonic quality. You’ll get to watch Warren mix and master a track completely from scratch. We’re holding nothing back on this one. And again, it’s completely free. But the event starts soon, so register by clicking the link below: Free registration for the “Fix-The-Mix” Challenge (ft. Warren Huart) Come celebrate the big news and completely transform your productions along the way. We’ll see you there… Michael GM - Mastering․com

I just came across the fact that book shelves on your backwall are not ideal for mixing. I understand why they are not diffusers and why they're not the best bass traps but my back wall has 4 full book cases and there's nowhere else for them to go. I was about to buy myself some speakers, but now I'm wondering if I'm going to hear things inaccurately. So my questions is, should I go ahead and get speakers and sonar works and hope for the best, or should I just send my headphones to sonar works to get calibrated by sonar works and stick with that?

Which of these production techniques do you struggle with more? Answering this will help us focus our teaching for any future webinars for y'all! A) Compression B) EQ Comment below 👇👇👇

@Michael Gilbride I still haven't gotten access to the VIP video even though it's Monday now. ⁣Am I still being verified? That's fine if that's the case, I just didn't want to slip through the cracks.