Interesting topic but maybe you can elaborate on this a bit? :)

Hey Zach, if you want to head into production/trailer/license music the road would be the following. - make sure you are registered with a performance rights organisation - get in contact and start working with a production/trailer music company - be patient for two years until the first cash flow comes in - keep going, write more music and work up to 300-500 RELEASED tracks The hardest part if writing production music exactly as needed and finding a steady connection with one or several trailer music companies. I worked with several students who got accepted by trailer companies after following our guidelines in the Audio Artist Rise Program. I am not saying this to lure you into something but because I know from experience that personal guidance for a few weeks/months is way more effective than trying to work it out alone. If you need help, let me know!

Hey, with respect but could you post your music to the sticky post your music here or put it all in one post? If you ask for feedback that's completely cool but I want to prevent self promotion a little bit. I hope you understand.

Really well done and a great experiment. Probably the best way to practice your oddmeter skills 🙌 I also dig the instrumentation. Not the biggest fan of the drumsound but it works. I would have loved a bit more variety on the structure of the track, meaning, introducing different parts, maybe some orchestral stuff or a prog distorted guitar etc.

@Ezekiel Moldovan not sure out of my head, I think Modern & Massive would do a great job but then again it depends a little bit of the general style you want to go.