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The W.R.I.T.E. Society Cafe

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Long Game Writers

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Self Publishers Unite!

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Publish. Promote. Profit.

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5 contributions to KDP Publishing
Hi 👋 I’m Mona
Hey Authors! I’m a KDP low content “author”.I only started about a year or so ago. And until I found @Krista Brea I never really thought much about self-publishing a real book. I’ve been watching Krista’s YouTube videos and have become very interested in writing a book as a lead magnet. I have no ideas. I’m just putting this out there to get my thoughts going and be held accountable. Anyway, glad to be here and learn from Krista and get inspired by all of the authors here. Here are my KDP journals and notebooks if you want to check them out.
Hi 👋 I’m Mona
2 likes • 21h
That sounds amazing! I love when something reflects your personal style, it makes it really unique 😊. How many books have you published so far?
1 like • 21h
@Mona Weathers That sounds amazing! I love when something reflects your personal style, it makes it really unique 😊. How many books have you published so far?
My Book Cover
This is my book cover, KDP community let me know your thoughts. Since this is a book for moms and their unborn babies (girl or boy) I wanted it to be as neutral as possible.
My Book Cover
0 likes • 22h
Love that you’re thinking about neutrality, that’s really smart for your audience! The cover already feels warm and inviting. I’m curious, what inspired your color choices and design elements for it?
Book Cover
This is my Book Cover (1st Attempt). I am not a graphic designer at all. I can make you a beautiful quilt, but I have no design sense for anything else!
1 like • 22h
Wow, your first attempt looks great! Don’t worry about not being a graphic designer, the important thing is that it represents your book. I’d love to see it! What’s your book about?
Question for the group (KDP strategy / backlist management):
I’ve published over 17 books to date, and this year my primary focus is a professionally written cyber-crime trilogy that I’m treating as a long-term flagship project. I’m currently reviewing my backlist and would value some experienced perspectives. A few of my earlier Kindle titles were written in fast-moving spaces (for example, a book on growing a business through social media). While the core principles still hold, parts of the platform-specific strategy are understandably dated given how fluid social media ecosystems are. From a KDP and brand-positioning perspective: - Do you see more value in retiring or unpublishing certain older titles to tighten overall catalogue quality and thematic coherence? - Or is it generally better to leave them live, possibly with updated descriptions, disclaimers, or revised editions, while focusing forward momentum on flagship projects? - How much weight do you place on catalogue consistency vs. historical breadth when building long-term author credibility? I’m less concerned with short-term sales and more interested in reputation, discoverability, and aligning my catalogue with where I’m going — not just where I’ve been. Appreciate any insights from those who’ve navigated similar backlist decisions.
1 like • 1d
This is a really smart question, especially when you’re moving into a flagship brand direction. From what I’ve seen working with KDP and book marketing, you don’t usually want to delete your backlist unless it’s actively damaging your brand (bad reviews, wrong audience, outdated or misleading info). In most cases, it’s better to keep them live but reposition them, updated blurbs, disclaimers, refreshed covers, or even light revisions, while you push all your marketing and reader flow toward your flagship trilogy. That way you keep the SEO, reviews, and Amazon history, but your sales funnel and email list can guide readers toward the work that represents where your brand is going now. Catalogue consistency matters, but discoverability and reader pathways matter more, especially when you control how readers move through your books. Are you currently using any kind of reader funnel or email list to direct traffic toward your cyber-crime trilogy?
A Tip I Wish Every Author Knew Before Publishing on Amazon KDP
One mistake I see many authors make is assuming: “If my eBook looks good, my paperback will too.” Unfortunately, Kindle and print books are built very differently. Here’s what often catches authors off guard: 🔹 eBooks are reflowable: readers can change font size 🔹 Paperbacks are fixed layout: spacing, margins & trim size matter 🔹 A file that works for Kindle can fail completely in print 🔹 Reader complaints usually come from print layout issues, not the story What professionals do differently: ✔ Separate formatting for eBook & paperback ✔ Proper margins and gutters for print ✔ Clean chapter breaks & consistent styles ✔ Files tested before upload, not after rejection I share this here because Skool is about learning together, not gatekeeping information. As someone working hands-on with KDP and digital/print books, I’m happy to drop practical insights that help authors avoid costly mistakes. 👉 Author question: Are you planning to publish eBook only, paperback only, or both? Let’s talk 👇
2 likes • 1d
This is so true. A lot of authors don’t realize Kindle and paperback behave completely differently until reviews start coming in 😅 I actually publish both eBook and paperback for my titles, but I run them through separate formatting and a clickable sales funnel tied to my email list so readers can move smoothly from discovery to purchase. That combo has really helped with visibility, reader retention, and consistent sales instead of relying only on Amazon’s algorithm. Which format do you usually see authors struggle with more, Kindle or print? If you want, I can also give you a shorter, more casual Skool-style version 👌
1-5 of 5
Faye Pierce
2
11points to level up
@faye-pierce-7451
As a teenager, i used to read at night with a flashlight underneath my bed covers

Active 19h ago
Joined Jan 13, 2026
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