On the Instrumentalization in Dating: Mirrors, Pedestals, and the Loss of Personhood
Prologue (short story) My dating quest led me to a hall of mirrors. Each was framed in ornate detail, suspended along the corridor like altars of attention. In them, I saw not my own reflection, but the gaze of women—each offering admiration, curiosity, warmth. Some smiled, others praised, a few looked back at me with the intensity of affection. It was easy to be drawn in. I smiled. They smiled. But none ever stepped through the glass. None met me beyond the gaze. Each mirror glowed momentarily, then dimmed into silence. I moved on, uncertain. Disillusionment crept in slowly—first as boredom, then as ache. I noticed shattered glass scattered across the marble floor. Several mirrors had been ripped from the walls and cast to the ground. Deliberate? Frustration? I stepped over the shards and continued. Next were the pedestals—each holding statues of women, some half-bodied, others full-form. They moved, spoke, and even reached out to touch me, but only when I worked the attached levers and buttons placed at their base. I learned the sequences for each. One required three kind words, another a compliment followed by silence. Some responded with gentle affection, others with flirtation, eroticism, even tenderness. And some were cruel, cold, dismissive. But a pattern emerged: despite their differences, they all followed a common logic. My inputs, their outputs. My pursuit, their animation. The moment I stopped—stopped speaking, stopped feeding the system, stopped overinvesting—they ceased. No statue ever reached for me first. Not one initiated contact. Again, the disillusionment deepened. And with it, a quiet despair set in. This was not love—it was labor. And I was being drained. I kept walking - slowly. Coming into view, I found many fallen pedestals and broken statues—pieces scattered, arms and faces chipped away, dismembered by time or disappointment. The debris led to a door. It was wooden, unlike the rest of the hall, unadorned save for a single word carved at its center: Sophia.