There’s a precise moment in danzón where the music stops being linear and starts becoming cyclical, conversational, and dance-driven.
That moment is the montuno.
In this video, I break down how to hear the montuno section inside danzón, using a visual + listening approach so you can clearly recognize:
- When the montuno enters
- How the energy, repetition, and dialogue shift
- Why this moment is a major bridge toward son, mambo, and salsa
This isn’t theory for musicians—it’s ear training for dancers.
🎧 The example comes from one of the earliest danzones to feature a montuno section, composed by José Urfé, marking a turning point in Afro-Cuban musical structure.
👇 After watching, jump into the discussion:
Choose one prompt and comment below:
- What do you feel change in the music when the montuno begins?
- Does this section make you want to move more repetitively, more playfully, or more grounded?
- Where do you recognize this same feeling later in salsa or mambo?
💬 Even one sentence is enough—shared listening sharpens everyone’s musical awareness.
When you can hear the montuno clearly, your dancing naturally shifts from reactive to responsive.This is how musicality becomes embodied.