Can’t wait to hear what y’all have cooked up for tonights session! Make sure y’all tune in and submit your tracks to see if they are ready for audio visual media!

Today @ 7pm - 8pm Chicago time https://us06web.zoom.us/meeting/register/cnwmR79QRSe9-GxRqyXkxw Hosted by Nate Michalic. Focused on music for visual media, film, TV, trailers, and branded content. Submit purpose-driven cues built for picture. Email Submissions at: [email protected] by 1 hour before tonight's event! -

The deadline has come, and we received only a few submissions for this month’s Brief Room. Since this room is built around focused listening, critique, and comparing how different creators respond to the same direction, we are setting a 5-submission minimum, and at least 6-8 to be ideal for the session to run. So.......... tonight’s Brief Room will not take place. We are rolling “THE PHONE CALL” brief forward and will give everyone time to submit again. To those who already submitted, thank you. Your work carries over. - Check out the POST here for more info We want this room to be worth the time for everyone involved, so we are keeping it focused and intentional. More details on the next Brief Room date coming soon. -

So we are pivoting from the trailer world and stepping into something interesting. BRIEF OVERVIEW Following last month’s Trailer Night with special guest Brandon Lau, we are shifting lanes entirely this month. This Brief Room focuses on restraint, emotional pacing, dialogue support, and cinematic storytelling built for streaming drama and prestige television. This is not about giant impacts or trailer drops. This is about emotional control. AND TO MODEL REAL WORLD TIME GAPS - The 2 weeks of creation time is Ideal, and plenty of more time than we often get when we get an opportunity! SO EXTRA PRESSURE TESTING IS NICE.. and WILL RAMP UP as we get better!! - PROJECT: “THE PHONE CALL” FORMAT: Streaming Drama Series TYPE: Emotional Underscore / Prestige TV SCENE CONTEXT A character receives a late-night phone call that changes the direction of their life. The audience does not yet know if the news is: • devastating • hopeful • dangerous • life-changing SO: The cue should support uncertainty while evolving emotionally over time. The music must feel connected to picture and respectful to dialogue. CREATIVE TARGET Along with the info above, we are also looking for cues that will also support the show. So cues that feel: • cinematic • human • restrained • emotionally intelligent • modern • visually supportive Think:• HBO• Netflix Drama• A24• Slow emotional reveals• Internal conflict• Quiet tension AVOID Please avoid:• trailer impacts• giant drums• EDM structures• overly busy melodies• excessive layering• hard transitions• cues that overpower dialogue The cue should feel like it belongs underneath a scene, not in front of it. STRUCTURE NOTES Your cue should include:• a clear emotional beginning• development over time• breathing room• dynamic movement• a purposeful ending or sting Even subtle evolution matters. -- ******* YOU WILL FIND THE BRIEF ATTACHED TO THIS POST **** ----- - CATEGORY OPTIONS Choose ONE category for your submission: • Emotional

We’re introducing something new inside PTN. A space where the brief gets set, and you bring the work. This is where your ability to read direction, respond to it, and deliver with intent gets tested and sharpened. We listen live, analyze in real time, and react through one lens: Does it serve the brief, while still making it yours? We set the brief, you bring the work. We’ll be bringing in hosts and guests who live in this space to listen, give feedback, and guide. Every brief is different. Different needs, different directions, different challenges. We’ll keep it moving so you’re not stuck in one lane. You can submit your work and step into it. You never know where this leads! Share it. Bring your people. Let’s build the room. Stay VERY Tuned...The first Brief Room session is coming.