chording in reverse hand position in DADGAD opens the door to a lot of melodic possibilities. doesn't take that long to get use to it.

Practice what you can't play. If you sound good while practicing you are not getting any better.

when running 2 or more delays, it is best to run them in parallel instead of series if you want clarity. Bill Vencil (chords of orion} demonstrates the differences in this video. I have learned so much from this guy. https://www.youtube.com/watch?v=YooO1p5z9GE

the Strymon DIG (dual delay) has a setting called the "golden ratio", which is something that appears in nature everywhere and is used in painting and architecture also. It creates an interesting effect where the 2 delays dont bump into each other and sounds very spacious and ambient. You can create it using any 2 delays though.. set 1 delay to the BPM of the song, and times that by 1.618 for the second delay. keep the mix less than 50%. play around with it. lot of fun.

using delays is a lot of fun, but some are set to BPM and some are set to milliseconds. some do both. here is a link to converting BPM to MS. I find it very helpful https://tuneform.com/tools/time-tempo-bpm-to-milliseconds-ms