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guitarwavers hang out 🦦 is happening in 27 days
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sign of life 🫶🏼
hello my friends, I hope you're doing great! I'm thinking of you. if you have time, let's hang out tomorrow at 2pm Berlin time. and a bit of context under which rock I'm buried right now 🦦
sign of life 🫶🏼
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engaging passive listeners
here it is—this is february's focus topic. puh, tbh, I've been shying away from this one a bit bc I find it a pretty tough nut to crack. but I'm sure together we can have a solid go at it 🐿️ so let's figure out together how to turn passive listeners into superfans, how to build community, and real connections around your music. any insights, thoughts, experiences are welcome. by the end of the month, I'll collect all our insights and present them to you in our focus topic call. also if you know a guitarist who did engage their audience very well, please suggest them here so I can try to get them on the podcast 🦦
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welcome buddy! introduce yourself + share a pic of your guitar 🎸🦦
let's get to know each other. comment below, sharing a photo of your (current fav) guitar, how you got into making instrumental guitar music, and maybe what you do besides making music. I'm happy to have you here 🫶🏼 PS: oh also please feel free to link your music! PPS: there's also an app of Skool btw. which makes keeping up with what's happening in here a little easier.
Listener engagement alert 🤪
I’m going to find out how my NUX loop pedal works and at the same time find out how playing guitar/bass Uke / tenor ukelele goes with my hearing aids. Do you have tips for using a loop pedal for practice? Thanks in advance!
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Soloing Insights from Chris Buck’s Clinic 🎸
Hi guitarwavers, last Friday I attended a clinic by Chris Buck at Music Store in Cologne. For those who don’t know him: Chris is an outstanding guitarist (currently touring a lot with his band Cardinal Black). His solo playing has fascinated me for years, and his YouTube channel — especially the sadly discontinued Friday Fretworks series (https://youtu.be/QonHlw4oBWw?si=pJsrlD74f2r2wrOm) — has been a big source of inspiration for me. Besides plenty of guitar-nerd topics (including his Yamaha signature model), he spoke during the clinic in depth about his approach to soloing. There were so many gems that I quickly took notes and thought I’d share them here. We haven’t talked much about technique and practicing in the community yet, so maybe this is useful for some of you. Key takeaways: • Start slow and low. He usually begins in the lower register and plays sparsely, then gradually moves up the neck and increases intensity, telling a story with introduction, build-up, climax, and resolution. • A/B phrasing. He often structures phrases as a question (suspension) and answer (resolve). • Don’t be afraid of repetition. Good melodies need time to sink in. He often repeats phrases and later restates them an octave higher. • Study singers, not guitarists. He focuses on vocal phrasing, melody, and character, then translates that to guitar. • Single-string playing. He mentioned that around 70% of his solos happen on a single string. This prevents scale “noodling” and forces you to think melodically, while physically feeling the intervals. • Vibrato like a singer. He lets notes sit flat first, then adds vibrato gradually — similar to how a singer’s vibrato naturally appears as the breath fades. The short video I captured is a great example of all of the above. Here’s the original version (recorded for Paul Davids’ challenge): https://www.youtube.com/watch?v=Tl8CaZVMQzw&t=1514s
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Soloing Insights from Chris Buck’s Clinic 🎸
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