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👋 Hey everyone, welcome to Church Sound Crew!
I started this community because I saw how many churches (big and small) struggle with the same audio challenges: - Volunteers feeling overwhelmed at the soundboard - Inconsistent livestream mixes - Soundcheck chaos on Sundays - And just wanting worship to sound clear without distractions This group is for us—church audio techs, FOH engineers, livestream mixers, and volunteers—who want to learn, share, and grow together. Here’s what you can do to jump in: ✅ Introduce yourself & share a pic of your Sunday office 😎 (Church name and where from?) ✅ Share your biggest challenge right now with audio or livestreams ✅ Feel free to post questions, tips, or gear setups—you never know who it might help! I’ll be sharing weekly tips, training resources, and behind-the-scenes lessons from the installs and livestream mixes I do with churches all over Florida. Excited to grow this with you all. Let’s make Sunday sound stress-free and worship-focused 🙌 — Nate Licioni (NATE Audio)
Certifications and Study
So I’m here again lol. This question is to my pro audio engineers. What’s a book or certification or online course would you recommend for a beginner engineer who wants to grow in the audio space. 🙏🙏✌🏼
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Hosting Teams Meeting
Hello everyone, So I need help figuring something out, My church is hosting a leadership meeting for our denomination and we’re hosting on Teams. I’ve been tasked to figure out how we’re gonna do this without having audio feedback when questions are being asked in the meeting and the meeting will be streamed from our system live as well. Please any help or direction to help will be appreciated.
Why a Noise Gate Can Save (or Ruin) Your Mix
I was mixing a youth night once, and the drummer had a snare mic that was picking up everything—cymbals, toms, even the bass player’s amp bleeding in. The snare itself sounded okay, but the bleed made the whole mix messy. So I dropped a gate on the snare. Problem solved… or so I thought. During the service, the drummer hit a couple of softer ghost notes, and the gate completely chopped them off. The snare went from alive and natural to robotic and awkward. People in the band even looked back like, “What just happened?” That’s when I realized something important: a gate is powerful, but it has to be set carefully. What a Gate Actually Does A gate is basically an automatic mute. - When the signal is above the threshold → it opens. - When the signal is below the threshold → it closes (or reduces volume). In live sound, gates are mostly used to clean up drums or noisy stage mics. How to Use a Gate in Church Sound 1️⃣ Kick Drum - Gates keep the mic from picking up bass, stage rumble, and monitor bleed. - Tip: Set threshold so it opens on every kick, but not on the bass guitar. 2️⃣ Snare Drum - Cleans up hi-hat bleed (the biggest offender). - But don’t set it so tight that ghost notes get chopped. 3️⃣ Toms - This is where gates shine. Instead of open mics picking up cymbals all service long, gates only open when toms are hit. Cleaner mix instantly. 4️⃣ Speech Mics (Sometimes) - Gates can reduce background noise, but be careful—if set wrong, they make the pastor’s first word of every sentence disappear. ⚡ Pro tip: Start with a slower release time so the gate doesn’t “slam shut” and sound unnatural. The goal is transparency, not obvious chopping. Have you ever had a gate save your Sunday… or completely ruin it? Drop your story—I know I’m not the only one who’s had a snare vanish mid-service 😅. — Nate
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Why a Noise Gate Can Save (or Ruin) Your Mix
Reassigning inputs on in ear monitors
Hello all, how do I change the inputs (channel 12 and 13 effects) with other channels (mics) in the Behringer x32?
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Church Sound Crew
skool.com/church-audio-engineers-2670
Your hub for church sound, livestream mixing, and Sunday audio solutions—practical tips, training, and community for church sound teams by NATE Audio.
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