A note before we begin: today’s artwork depicts the severed head of John the Baptist, whose beheading is the focus of today’s Scripture reading (Matthew 14:1–12). Today we’re trying something new in Christ-in-Kundalini: ekphrastic writing, or writing in conversation with a work of art. Begin by looking at Aelbert Bouts’s "Head of Saint John the Baptist on a Charger." Painted around 1500, the round panel resembles the platter on which John’s head was carried. The rest of the story has disappeared—the prison, the banquet, the executioner, the disciples who came for his body. We’re left with the part of John his killers demanded. But beheading isn’t relegated to ancient times. We metaphorically behead people today, striking at the source of identity. We can say we are not our heads, we are not our bodies, we are not the roles we play—we are bodies of light and love. And yet, we are not. Not when we strike out of revenge, bitterness, or fear. Not when we steal away someone’s joy out of jealousy or our own suffering, striking at their sense of wholeness in an attempt to ease something within ourselves. Yoga Sutra II.30 places "ahiṃsā," non-harming, beside "satya," truthfulness. John’s body is divided, but the truth he spoke survives the attempt to silence him. His voice remains. And those esponsible for his death may remain physically intact, but are really are divided from love. What do you think? WRITE: Spend a few minutes looking at the painting before you begin. Describe the shape, color, light, texture, and expression without explaining what they mean. Allow yourself to write from stream of consciousness. Not judging what you write or the process. What has this frame cut away from the story? What has this frame cut away from the whole of you? Where are you being asked to restore wholeness—to yourself or to someone you’ve reduced to a single story? Let me know how you did with this one. Love, Jackie Here's a link to more information on the painting: https://www.metmuseum.org/art/collection/search/435759