What are you folks using atm for uprezzing SD film transfers and SD video to HD other than Topaz?

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Keeping a Character the Same From Shot to shot is the single hardest problem in AI video right now. You know the wall. You generate a great shot of your character, then the reverse angle comes back almost the same person. The jaw's a little off. The hair sits wrong. Your audience can't name what changed, but they feel it, and the scene quietly falls apart. Inside, I walk through the techniques that actually fight character drift today: build a character sheet, lock your seeds, describe the character the same way every time, generate extra coverage and cast for the match, then fix the rest in post. Same instincts a continuity supervisor brings to a real set, pointed at a new kind of unreliability. There's a Weekend Workshop challenge too: build a five-image character sheet, cut a ten-second moment from three shots, and note which technique saved you the most re-rolls. When you're done, tell me where consistency breaks down worst for you — the face, the wardrobe, the lighting, or the hands — and the one fix that's saved you the most. Let's build a shared list, because this is the problem we're all solving for the next year. The tools change. The craft doesn't.

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Is anyone interested in attending the InfoComm 2026 Pro Video Summit together? I received an email from FMC about Team Pass discounts: a team of 3 is $599/person, and a team of 5 is $549/person, which is cheaper than registering individually. The summit focuses on professional video, corporate/event video, AI post-production workflows, live/virtual production, and branded/social media content. If you’re interested, feel free to message me. Maybe we can put together a 3-person or 5-person team pass. https://www.infocommshow.org/pro-video-summit