So, back in the day (60's) we wore band uniforms; expressing a statement about the band. When you were in "costume", you assumed a certain persona (not your normal self). Today bands play in tee shirts and casual clothes. Wearing uniforms really put you in a "power" position! (I've got to admit, on stage with my tight velour bell bottoms and Beatle boots would get the girls screaming!). I really need to build that "power" confidence as the lead singer in my band; rather than just being one of the band members. It's a concept that goes against my laid nature, but I think it would strengthen what you're talking about, and totally change my performances; dramatically. Thanks for your insight.

Wow. What a great job explaining it. You rock.

It's hard for me to project high emotion while going light. Ha. Performing's an act; got to make it look and sound "high energy" while actually lightening up. I think it's easier when you're holding the mic; performing while playing a guitar really limits what I can do to portray the energy (while actually singing lightly). Great stuff to work on! Thanks, Bill

I'd be classified as a baritone, but now I'm able to get up in the Stevie Winwood range using your teaching and techniques. Adding grit and distortion really adds character and interest! It's going to take time and practice to get consistency, but I'd never have imagined I could go from singing "Big John" to belting out gritty tenor solos! You're a miracle worker! Thank you so much.

I'm singing Unchain My Heart and I want to get a mild Joe Cocker distortion (It's not harsh). Is it like the Louis Armstrong "epiglottal" distortion?

The "finish" is all about expressing emotion (of course the band has to end together..)