Story Structure Book 1 Cover Poll
I spent most of last night Building the Non-Fiction Writers Room with a whole new cast of characters and tested it with writing two very different books on the same subject. I had all of the research ready and built a researcher into the tool to fill in the gaps. The following is the news release created for the two books - Please stay till the bottom of this post. ****** Two Books. Same Nine Structures. Completely Different Books. DragonWorks Publishing has just released two companion volumes on story structure for fiction writers using AI assistance. They cover the same nine structural frameworks. They approach them from completely different angles. Here's what each one does and how they work together. "Structure First: Write Like You Mean It A New Writer's Guide to Story Structure and AI-Assisted Fiction" This is the foundation book. It's written for any fiction writer — with or without the Professional Writing System — who wants to understand how story structure works and how to use AI as a collaborator rather than a ghostwriter. The book opens with an honest argument: AI is a nail gun, and a nail gun doesn't know what a house is. You do. Before you prompt anything, you need to understand what readers come to fiction to feel, what structure actually delivers, and where AI fits in a human-led creative process. From there, it teaches all nine structures from the ground up — plain-English concept explanations, emotional contracts with the reader, worked examples from recognizable stories, fill-in worksheets to complete before prompting, simplified prompt libraries, and quick-start prompts ready to paste. Reading level is deliberately accessible. Every term is defined. Nothing is assumed. Best for: First-time fiction writers, writers new to AI assistance, anyone who wants a complete standalone craft reference they can use with any AI tool. "The Anarchist's Guide to Story Structure For Writers Using the Professional Writing System" This is the decision book. It covers the same nine structures — but doesn't re-teach them. Instead it asks a different question: given your story, your working style, and your reader's needs, which structure do you actually choose — and what are you agreeing to by choosing it?