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Owned by Shawn

Wordsmiths’ Guild

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Where writers learn the craft, finish the work, and continue the sentence.

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The Storyteller's Path

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Skoolers

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60 contributions to The Storyteller's Path
Hemingway’s Iceberg Technique
Ernest Hemingway believed that the most powerful writing doesn’t explain everything. He called this the Iceberg Theory. The reader only sees the tip of the iceberg, but the deeper meaning exists beneath the surface. Instead of explaining emotions directly, the writer lets actions and small details reveal the truth. The underline meaning in a story, beneath the surface is something that many great authors use. It’s also something that I teach writers to find with the Story First method since I truly believe the power of the inner story. A wonderful book has an inner story and an outer story. 📖 Something great that you can do, especially as a newbie writer, is practice other techniques, play with the writing styles. This is how you find your own personal way of getting your words onto paper. 📑 If you’re an experienced writer, what a great way to hone into your skill than by trying other writing techniques! 😁 ✅ Your Challenge Write a short scene where a character is experiencing a strong emotion — but you cannot name the emotion. We’ve done a challenge similar to this in the past. But now, we are trying it out with more details. Don't use words like: 😢sad 😡angry 😱afraid 😄excited 🥺heartbroken Instead, show it through: 💥body language 💥small actions 💥dialogue 💥environment details Example: Instead of saying "He was nervous." 😬 Try something like: "He checked his watch again, then wiped his palms on his jeans." Let the reader feel it without being told. Bonus Challenge Write the same scene again but with the opposite emotion.
Hemingway’s Iceberg Technique
1 like • 3d
Charlie hit the curb pulling into the office lot. The car jolted and a blurp of coffee geysered out of the hole in the Dunkin lid. “Mother ffff…” he muttered. The parking spots were stained black from years of oil drops. The lines were chipped and fading. He slammed it into Park before the car had stopped. It lurched. Bob and Sarah were getting out of their cars. Sarah had her phone balanced on top of her coffee, keys in her mouth, trying to get her purse over her shoulder. Bob adjusted the belt that always sagged under his gut and checked the gig line of his short-sleeve plaid. “…the fuck am I doing here…” Charlie said. He looked at his watch. Heather’s face came back. His grip tightened on the wheel. He tried to push it down. Keep it contained. Didn’t work. His hands locked. The skin went white. His face twisted. He drove the side of his fist into the wheel. Again. His mouth opened—something came out of him, low and raw, more air than sound. It came in waves. Then it was gone. Charlie sat there a second. Picked up his coffee. Opened the door and stepped out. Sarah had gone still, keys still in her mouth, slowly lowering her phone into her bag. Bob looked over, eyebrows up for a second, then shrugged it off and headed for the door.
Dialogue That Sounds Real
Many writers accidentally make dialogue sound stiff or unnatural. Today we’re practicing natural conversation. 🔥Your Challenge Write a short conversation between two characters where: • one character wants something • the other character is hiding something But neither of them says it directly. Think of how real people talk. 🗣️ We often: • avoid the real topic • speak indirectly • say one thing but mean another Example: Person A: “Did you go to the meeting yesterday?” Person B: “I had a lot going on.” The tension sits between the lines. Rules 🔥 Write at least 10 lines of dialogue 🔥 Use minimal description 🔥 Let the tension show through conversation Bonus Challenge Add one small physical action that reveals what the character is feeling.
Dialogue That Sounds Real
3 likes • 3d
The front door thwamps open and Charlie bursts in. “Heather!” he calls. “Where’s my watch? He starts opening and slamming drawers in the kitchen. Heather steps cautiously out of the bedroom, wrapping the rope of her robe around her waist. She hooks a wisp of hair behind her right ear with her left hand. “Which watch?” she asks. “My watch. My only watch. The one my father gave me.” He cocks his head and looks at her, forehead wrinkling. He takes a slow breath. “I might’ve left it on my nightstand,” he says, suddenly calm. “Oh—oh. Okay,” Heather says. “I… I can check for you.” “Thanks,” Charlie says. “I’ll just grab a soda real quick.” Heather vanishes into the bedroom and closes the door behind her. Charlie breathes in deep and lets it out hard. He cracks open the soda and takes a long pull, eyes watering. He dumps the rest in the sink and closes his eyes while the can crumples in his grip. Heather comes back. “I found it. You were right. It was right on your nightstand.” “Thanks,” Charlie says. Her eyes flick to the crushed can in his hand. Her eyebrows lift, just a touch. “I’ll be home by six tonight,” Charlie says. “Uh—oh. Okay,” Heather nods quickly. He tosses the can in the recycling and heads to the door, breezing past her. At the door, he pauses. Sniffs the air. “Funny…” he says. “Is that Drakkar I smell? I haven’t worn that in years.” He locks eyes with Heather as he closes the door slowly.
2 likes • 3d
@Dani Rosenblad James I'm working on the next scene, too. You posted about the Iceberg...this has a lot of potential when I show Charlie's reaction.
✨ You Don’t Need More Ideas
You need to trust the one you already have. Many writers tend to run up to self-judgement, thinking that their story isn’t “Good Enough” or that they could make it better. This turns into a delay in finishing because they keep searching for that “better idea.” Focus on getting it onto paper. 📄 Don’t second guess and then take the time to edit yourself several times. Think of the Story First method. Story First says: 👉 Stay. Go deeper. What idea have you been circling but not committing to? Share it in the comments and let’s help one another!
✨ You Don’t Need More Ideas
1 like • 15d
My personal mantra is "never let perfection be the enemy of progress". In other words, "done is better than perfect." I wasted so many years waiting for just the right story, just the right space, just the right whatever. I convinced myself I needed a degree, a following, a truly unique story. But, guess what? Guess how much writing I got done by sitting around waiting for the perfect circumstances... Take a guess...
1 like • 3d
@Dani Rosenblad James couldn't agree more. This points back to the mustard seed principle. A mustard seed can only ever do one thing, and that is to become a mustard plant. Lovers love, fighters fight, singers sing, writers write. If a lover isn't loving, is he a lover? If a fighter isn't fighting, is she a fighter?
🛠️ Your Story Has a Spine (Even If You Can’t See It Yet)
Now, you might be wondering, “What does she mean?” 🤔 Every strong story holds because something connects it all. 🔗 It’s not the scenes or the characters. It’s the spine that holds it ALL together! 🙌 Think about it. 💭 What is holding your book together? 📕 Is there an underline meaning, message? What keeps the story moving? 📖 👉 If you had to describe your story in one sentence, what would it be? Keep it simple. We will refine later. Share it in the comments below! 👇
🛠️ Your Story Has a Spine (Even If You Can’t See It Yet)
1 like • 15d
This is the spine of my other novel, Everything You Choose: A man haunted by a split-second violation and a woman who built armor to survive hers are forced together decades later, where tending a broken menagerie becomes the slow, dangerous work of learning whether two damaged people can choose truth, responsibility, and each other—and in doing so, heal what came before them.
1 like • 15d
Man...I was looking through my folder and I have four novels fully outlined with characters fully developed, world building done...they're ready to go. I think I might set a goal to finish one of these this year. My book, You Are Forgiven will be out in May. I might jump into Everything You Choose after that.
🎬 If Your Book Were a Film
So many of us have dreamed of having our book turned into a movie. 🍿 The lights, the camera, the action! 🎦 Think of the: 🎬 Title 🎬 Tagline 🎬 Opening scene Let’s imagine it fully alive. ✨ Paint us a picture of your movie! 🎥 Drop yours below.
🎬 If Your Book Were a Film
1 like • 15d
From the creator of Dogwood, The Things You Choose, and The Xyphoid Process...comes a new movie - Before You Go... In a world… where death is only the beginning…one man… who wasn’t supposed to survive it…will discover that reality itself… is coming undone. Hunted by a rogue architect of destruction…guided by a reluctant guardian…and aided by a demon who can’t decide which side he’s on… He must journey across collapsing universes…to find the one note… that holds existence together. Because when the music stops… everything ends. Only in theaters this June. See your local theater for listings. This movie is rated R.
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Shawn Helgerson
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245points to level up
@shawn-helgerson-7321
Writer and editor focused on craft, structure, and honest revision. Coaching writers who want their work to hold up over time.

Active 2d ago
Joined Dec 14, 2025
INFJ
New Jersey, USA
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