@Xavier Van droogenbroeck I’m working on the same thing 1947 version. All the little details….do you have the soundslice transcription? I have the A sections - just working through the bridge but am now in NY without a guitar… grr.

@Xavier Van droogenbroeck on soundslice you play along with the real recording. And can loop it and slow it down. So it’s perfect for all those little things you mention.

@Bob Kelley That's interesting - I'll play with that. Thanks.

@Bob Kelley Will get to this - thanks.

Different lick but the same issue. It's a different feel but I am getting into it. There are few other places in Si Tu Savais where he plays some interesting enclosures and it seems easier with sliding the index. Any one else want to jump in?

@Ben Loper Yeh thanks. That's the conclusion I came to. I'm seeing lots of places now where I need to change my fingering.

Beautiful gypsy guitars.

Arie if your question is whether you can add a 6 to a chord, where it is written as just major or minor (and the chord symbol does not include the 6), then the answer is usually yes, and it gives the gypsy sound you are looking for. But there is one exception - if the mi chord is the ii in a ii V, you should not play mi6. In this case the chart should read mi7 - and you can't replace that with a mi6. It's to do with the chord which is following which is a 7. For example: Ami7 D7 GMa don't play Ami6 there. The 7 in the Ami7 is G. The following chord is D7 which has an F#. The ear needs to hear the move from G to F#. If you played Ami6 there that has an F# already, so you don't hear that move. It's easy to hear than to write!