Scene 1: The Distraction - Visual: Hazardous Harry is walking through the warehouse, head down, scrolling through his phone. He has one earbud in. - Narrative: Safety begins with awareness. Harry is currently at 0% awareness. Scene 2: The Near-Collision - Visual: A forklift rounds a blind corner. The driver honks, but Harry doesn’t hear it. The forklift swerves and screeches to a halt, inches from Harry. - Narrative: A "Near-Miss" occurs. No blood, no broken equipment, but a massive potential for disaster. Scene 3: The "No Harm, No Foul" Fallacy - Visual: Harry looks up, startled, then chuckles. He gives the forklift driver a "thumbs up" and continues walking while texting. - Narrative: Harry treats the incident like a funny story. By not reporting it, he ensures the hazard remains a secret. Scene 4: The Observer - Visual: Safety Sarah is standing nearby. She isn’t laughing. She watches Harry walk away and then looks at the blind corner. - Narrative: Sarah knows that luck isn't a safety strategy. She recognizes the "Silent Warning." Scene 5: Securing the Scene - Visual: Sarah talks to the forklift driver to ensure they aren't shaken up. She places a temporary orange cone near the corner to force others to slow down. - Narrative: Sarah takes immediate action to protect the next person who walks by. Scene 6: The Paperwork (The "Sarah" Way) - Visual: Sarah is at a safety kiosk or on a tablet. She is filling out a simple form. - Narrative: She isn't "snitching" on Harry; she is reporting the location and the lack of visibility. Scene 7: The Investigation - Visual: The Safety Manager joins Sarah at the corner. They use a tape measure and realise the shelving is stacked too high, blocking the view. - Narrative: Reporting a near-miss triggers a "root cause analysis." They find out why it almost happened. Scene 8: The Engineering Fix - Visual: Maintenance workers are seen installing a large convex mirror and painting bright yellow "Pedestrian Crossing" stripes on the floor. - Narrative: Because of Sarah’s report, the environment is physically changed to prevent human error.

**"THE SKETCHED CONSPIRACY"** **MOVIE TRAILER SCREENPLAY** --- FADE IN: **TEXT CARD: "SOME STORIES..."** INT. MARCUS'S APARTMENT - NIGHT Close on a sketchbook. A pencil dances across the page, bringing to life a dapper cat in a detective's coat and magnifying glass. MARCUS WEBB (30s, disheveled hair, paint-stained hoodie) adds the final whisker with a satisfied smile. MARCUS (to himself) There you go, Whiskers. Case closed. He closes the sketchbook. Sets down his pencil. A RUSTLING sound. Marcus looks up. His eyes widen. Standing on his coffee table is WHISKERS—fully three-dimensional, animated, alive. The cat adjusts his tiny detective hat. WHISKERS (British accent) I say, do you have any tuna? Marcus stumbles backward, knocking over his coffee. **SMASH CUT TO:** **TITLE CARD: "...REFUSE TO STAY ON THE PAGE"** INT. MARCUS'S APARTMENT - CONTINUOUS Illustrations peel off the walls—a dancing elephant, a flying fish, a knight in armor—all swirling around the apartment in a magical chaos. MARCUS This isn't happening. This isn't— A KNOCK at the door. Marcus opens it. MEI LING (late 20s, sharp eyes, leather jacket) stands there holding an ancient jade necklace. MEI LING Marcus Webb? We need to talk about your gift. **CUT TO:** EXT. PRAGUE ROOFTOP - DAY Mei Ling and Marcus run across terracotta tiles. Behind them, ILLUSTRATED SHADOW CREATURES with glowing red eyes give chase. MEI LING The necklace contains a fragment of the Creator's Brush! It's what's activating your drawings! MARCUS My drawings are children's books! Not— A shadow creature LUNGES. Marcus instinctively sketches in the air with his finger. A CARTOON SHIELD materializes, blocking the attack. MARCUS (CONT'D) —weapons! **CUT TO:** INT. ART GALLERY - NIGHT PROFESSOR ZHANG (60s, elegant, cold smile) stands before a wall of ancient paintings. PROFESSOR ZHANG Marcus was always my most talented student. Such a shame he chose whimsy over power. He touches a painting. A WARRIOR steps out of the canvas, fully armed.

A little dance for the dancers

https://docs.google.com/document/d/1Gr2irIUts3H40QhQZjYrnELsBKetvc8UWrEpyoeTISc/edit?usp=sharing