I’m a bit late, but this one dropped the 5th as well. https://open.spotify.com/album/6JTecn7xgPa8ydQFldKfKk?si=BzF_GogrS2meGaiyLbShWQ

@Joe Cabrera peace back to you. And all the best for your track.

It really depends and I don’t measure it by seconds. If there’s a really long pause between parts I’ll set it to really long, but if there’s are many chord changes I’ll keep it shorter so it doesn’t get too muddy. Also I’ve started using less reverb on a lot of the parts and then only have big, long reverbs on one or two parts. Again so it doesn’t get too muddy. Recently I also started automating the reverb in Logic, so it can go really huge (full mix) and long for maybe just a small part and then back down again.

Hey guys. I’m Peter Monrad from Copenhagen, Denmark and I release my tracks as ‘Friend from Work’. I’ve been playing music for almost 30 years, originally bass, and been in many different bands and setups. When I graduated from the university back in 2003 and started working full time as a creative director and graphic designer I slowly stopped playing in bands. Then I had two kids and at some point I almost never touched an instrument. How sad it was. Then around 2020 I finally got first Garage band then Logic Pro and started making music at home, when the kids were sleeping. That led to a lot of lofi beats and hiphop under the name Tiny Anthem. I gradually lost interest in the genre because of all the generic stuff that was coming out (I really liked Tom Misch’ Beat Tape 2) and I started doing more atmospheric guitar stuff. After I released my first two tracks I moved to Sky Valley Records and really like this set up. I now work four days a week at a communications agency and have one day off for making music and videos. I spend a lot more time than that one day on music, but the setup works great for me. I have four guitars that I switch between and the favorite changes pr song. I often record the same parts on different guitars and then decide afterwards. Looking forward to getting to know you all.