@Norman Rekitt thanks Norman! My spin on this was lots of depth and hard hitting kick to add extra contrast with grit that crescendos with a lot of saturated loud ending. The kick, snare and bass is where I focus extra hard from the get-go. In the end I went in and add a slight reverb with UAD Plate and dialed in the basic eq within it. A little thicker low-end and top tamed down a smidge, which set the snare back exactly where I wanted it, that changed the depth in a huge way. The I backed down the gain -Db and round it over with slight extra compression. Considering all the other tracks I have heard, my track does not bury the vox nor have a lot of space. Mine is far from a perfect mix/master, But, on a short notice short timeline no communication with the band, I like it. I thought that's what Mastering FTM was about foundation, but apparently I must not clearly understand the challenge/assignment. Or, I'm one of a handful. I dono. If we had al 170 tracks posted here we'd all have a better idea. I heard six that we really great and very close to each other. But, that's a snore to me. And moreover, I don't care as a mixer and artist, I'm doing me. I have not interest in conforming all the greats throw out the rulebook. Breaking genre rules is creating a new one. Rules? Ok. Sure. Who the hell wants a plain cheese pizza? Pass. . . I'm happy to get any feedback! If anyone needs help with analog based tracks that tear your head off your neck. . . Let me know! TA!