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13 contributions to Royalty Guild. Amazon KDP
KDP age range issues
At some point Amazon did away with 18+ age range category. So now, by default, if you leave the age range blank, the listing shows 16-18 as the recommended age range for all adult fiction. I'm concerned that many shoppers may interpret this as "Young Adult" content rather than adult. Amazon has many reasons, I'm sure, for making this change but it has the potential to mis-categorize many books and cause potential readers to pass on the purchase. Especially because there previously was an 18+ category and there's very little chance that shoppers are widely aware of this internal change. Has anyone else noticed the change to their Adult titles being displayed as 16-18?
KDP age range issues
0 likes โ€ข 3d
@Tiberius Ryuu agreed, but this is again the case where no human interaction is involved in the design of these forms, so this is how a computer sees it, and that logic is undisputable and completely confusing to humans. ๐Ÿ˜‚
0 likes โ€ข 2d
@Tiberius Ryuu Of course, at some point there was, or is, human oversight involved. You're right on the legal side, but legal people get to see the text, not how a form is going to fit into the UI, the user interface, or be part of the UX, the user experience. A lot of this is lost in translation if I may use that saying. There is just too much content and too many angles and too many people with different agendas these days and a lot of it ends up being checked marginally and badly implemented. That job has been taken on by AI. But we all know how bad AI can be, especially in this early stage of AI usage, when people rely way too much on it. Amazon is not only no exception but a front runner in the use of AI throughout their businesses. And they are not doing a good job most of the time. Not that they care, as long as the cost goes down and the margin goes up, even if that means they have to settle in court and pay off some people after mistakes (which turned out to be still cheaper than actually fixing things at the start). UI and UX are two different things.
To Fight Book Piracy or Not?
Publishing piracy visits increasing by more than 20% year-over-year, and publishing actually overtaking film as the second most pirated media sector, the debate on whether to fight piracy or ignore it is more relevant than ever. Here is a breakdown of the two prevailing schools of thought to help you decide which strategy fits your current author career. The Argument for "Letting It Go" (Visibility) For many authors, the biggest threat isn't piracy; it is obscurity. - Discovery Tool: Some authors have argued that piracy acts like a library or lending system, where people discover an author for free and then buy the rest of the catalog. - Pirates are Customers: Surprisingly, data suggests 41% of book pirates also buy books, often purchasing the same book in multiple formats. - The "Whack-a-Mole" Problem: Spending hours sending takedown notices can be a "Sisyphean task" that takes time away from writing. The Argument for Fighting Back (Revenue & Safety) However, for authors relying on book sales for a living, piracy can be devastating. - Proven Sales Loss: Author Maggie Stiefvater famously proved that piracy hurt her sales. When she uploaded "decoy" PDFs (broken files) to pirate sites, her legitimate ebook sales recovered immediately, saving her book series from cancellation. - Reputation Damage: Pirated copies are often imperfect scans or bad conversions. Readers may leave negative reviews on Amazon based on the poor formatting of a file they stole. - KDP Account Risk: This is critical for KDP Select authors. If Amazon's bots find your book available for free on a pirate site, they may interpret this as a breach of exclusivity, potentially risking your KDP account or leading to your book being price-matched to free. Where do you stand? Is it free marketing or theft of your livelihood?
Poll
6 members have voted
To Fight Book Piracy or Not?
1 like โ€ข 2d
@Igor O This is mostly about traditional book piracy, the illegal sharing of finished books that have been published. What Iโ€™m talking about is a different, highly malicious beast: content scraping and plagiarism of works-in-progress. With automated scraping bots, bad actors will steal unfinished chapters off public writing platforms (like Royal Road, Wattpad, or Patreon) or scam people into sending them their unfinished manuscripts. I have read multiple examples during my research, and, as I wrote in my other post, I nearly fell victim to one myself. This isnโ€™t โ€œfree marketing", and itโ€™s not just counterfeit theft; as I understood it, it can actually harm an authorโ€™s ability to publish that book cleanly on KDP later because of Amazonโ€™s strict rules around exclusivity. The "let it go" vs "fight back" discussion usually concerns books that are already published, but many modern indie and web-serial authors have to deal with automated bots scraping the platforms for chapters that are not finished yet. Next, scammers take these rough drafts, turn them into low-quality, poorly written ebooks, and sell them on Amazon before the real creator can even finish the story. In this case, there is no โ€œvisibility upside". It kills the authorโ€™s official launch, it misleads readers with awful formatting, and it jeopardises the authorโ€™s future KDP account safety thanks to Amazonโ€™s automated exclusivity flags. If your unpublished text is stolen, promptly addressing the issue with DMCA takedowns is essential for your protection. Hence I voted: Fight!
1 like โ€ข 2d
@Igor O There is truth in what you are saying, but I'm not too worried about that personally, as the 'zero-value content' trap mostly pertains to other categories, whereas my writing relies entirely on personal experience and cultural nuance, which AI cannot authentically replicate. Mine are first-hand insights. I researched this topic a couple of months ago when I felt like having writer's block and was wondering if it was all still worth it. It did, however, also suggested I would invest heavily in building my own network; for that, I am considering reactivating my old Skool network with nearly 5,000 users and the FB groups and Discord servers I was in. Another preparation I did was to add more 'checklists' (boring stuff) combined with my storytelling. All that said, I am leaning increasingly towards using a third-party. Currently looking into Bookmundo, which a friend of mine uses who has a lot of graphical/photo-heavy books. The upside is they are multiplatform; the downside is they are very much focused on print.
Progress, update, the journey and all that
I have been a member for some time now, browsing, searching and learning but not posting very actively on this Skool. I am also that one-book writer putting his life journey into ink. In my case, it is about my move to Thailand and living, working and surviving here for the past years. About a year ago, for medical reasons, I left Bangkok to semi-retire with my wife in rural Thailand. That allowed me a lot of time to finish rewriting all my existing articles on the subjects contained in my book into storytelling reads that would appeal to a broad, interested audience. Since joining this group, I have learnt a lot, especially from participating in one of Igor's calls. Thank you Igor and the two other people who were present. That was an interesting exchange. My biggest obstacles were learning and realising that KDP is not simply uploading a .doc file, and secondly, keeping myself motivated a couple of hours a week to work on my book, especially since we moved to rural Thailand, where the pace is so much slower. The latter is still an issue, as life is good here. Progress: The word count, tone of voice, spelling (UK spelling), length and read time of each chapter, introduction, glossary, about the author and this book, and imprint โ€“ all that is done. Photos: One of the things I learned along the way is that colour is soooo much more expensive, so I had to remove all the hyperlink blue and emojis and then work on my imagery. Learning about the use of colour and the cost of size affecting your split (I wanted to stay in the 70%), I selected 14 black and white photos from my collection of hundreds of pictures taken over the past 5+ years and then went to AI to ask what should be done with them. I also secured written approval from anyone who appeared in the pictures. Each picture is now: - 300 DPI - 900x1367 dimensions - total size is under 6 Mb Notary & Trust: Sadly I had a very negative experience with a publisher who mistook my being a first-time writer of a book for being gullible in business and unintelligent about publishing. He overlooked the fact that I had worked a hundred years ago as a proofreader and Jack-of-all-trades at a large Dutch/British publisher, and that I had also worked for four years at the largest newspaper conglomerate in the Netherlands. ๐Ÿ˜† He also overlooked the fact that I had read about notaries and had taken some rather silly selfies of myself at my PC while writing my book, as well as other ways I was able to prove I am the author. It did, however, make me very insecure when other people asked me to read my work. Right now I am even too insecure to include the teaser (introduction and part of chapter 1) of my book here. Sorry for that.
Progress, update, the journey and all that
1 like โ€ข 3d
@Igor O Nice idea, but 600 words short of a good short read (1500 minimum), only a 3 min 20 sec read on a 9th-10th grade reading level and, more importantly, the thing I learned: no connectors (teasers to buy the full book or more short reads). That reminds me to add more connectors in the full book. One simple way to add more connectors in your short reads is, in the full book, to add references to other parts of the books. That way you have your connector, you gain more words/reading time, and you increase the value of the content. Repetition is not bad. This reply and my original post belong better in one of your articles in the Premium section on short reads.
0 likes โ€ข 2d
@Thomas Juuls Thanks for your prompt reply. I was reading about short reads and noticed KDP has a special hub for that, and the pricing has to be $2.99 or higher to get the 70% deal. Otherwise, you will only get 35%, which is when it is priced between $0.99 and $2.99. The reason why I want to price my short reads high is not the 35/70% split rule but that if I price my short reads too low, people would simply buy the short reads instead of the book because it would be cheaper (4x3,99 1x14,99). I will probably not sell many short reads with that pricing. ๐Ÿ˜Š The goal of the short reads is to entice people to buy the full book. However, I did not see a limitation on countries, so I'm confused that you're saying that in Germany you cannot sell short reads?
Publishing or publisher: an observation
I wrote about a particularly bad experience with a publisher in another post and want to expand on it because that experience sparked a chain of thoughts based on my experiences over the past year. Just so you know, Iโ€™m not being very judgemental, but thereโ€™s definitely something dirty going on with some people in this industry. ๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ข๐˜ค๐˜ฌ๐˜จ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ. ๐˜”๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฃ๐˜ข๐˜ด๐˜ช๐˜ค๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ต๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ฆ๐˜ญ๐˜ด๐˜ฆ'๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ถ๐˜ต๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต ๐˜ข๐˜ด ๐˜ฃ๐˜ฆ๐˜ด๐˜ต ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ. ๐˜ ๐˜ฐ๐˜ถ ๐˜ข๐˜ณ๐˜ฆ ๐˜ฉ๐˜ข๐˜ณ๐˜ฅ๐˜ญ๐˜บ ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ค๐˜ต๐˜ถ๐˜ข๐˜ญ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฐ๐˜ณ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ง๐˜บ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต. ๐˜ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ด๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฑ๐˜ณ๐˜ช๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต๐˜ช๐˜ฏ๐˜จ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ญ๐˜ข๐˜ณ๐˜จ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ค๐˜ฐ๐˜ถ๐˜ฑ๐˜ญ๐˜ฆ ๐˜ฐ๐˜ง ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ข๐˜ณ๐˜จ๐˜ฆ๐˜ด๐˜ต ๐˜‹๐˜ถ๐˜ต๐˜ค๐˜ฉ ๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ญ ๐˜ฏ๐˜ฆ๐˜ธ๐˜ด๐˜ฑ๐˜ข๐˜ฑ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ถ๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ ๐˜ฉ๐˜ฆ๐˜ญ๐˜ฑ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ญ ๐˜ฏ๐˜ฆ๐˜ธ๐˜ด๐˜ฑ๐˜ข๐˜ฑ๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ. ๐˜Œ๐˜ท๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฏ๐˜ค๐˜ฆ, ๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ถ๐˜ญ๐˜ญ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฏ๐˜ฆ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ 17 ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ต๐˜ถ๐˜ฑ๐˜ด ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ฎ๐˜บ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ต. ๐˜โ€™๐˜ท๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต, ๐˜ด๐˜ฐ ๐˜ต๐˜ฐ ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ฌ. A publisher is a bit like a marketer. Of course, they have other services, but in an economy driven by finances and making a profit, the marketing part has become more and more important now. Those days of being able to send your manuscript to a publisher and have them publish it are gone. I did a lot of research last year whilst writing and came across the 'bridge' obstacle. The bridge is the thing that held me up from going on toward the publishing part. What scares me a lot is everything that comes into play when your book is done and you are putting it on the market, the back and forth of improving your book like itโ€™s a dish sent back by a customer complaining the steak is not well-done enough. This stage is also where I came across the first bad apples. People who steal the hard work of others and publish it as their own. People, whom I wonโ€™t call writers, who think easy money is around the corner are using AI to write rubbish and flood the market, causing platforms to create more obstacles for real writers. And then I met the self-publishing writer, who was, in fact, someone who had mastered the art of not giving a โ€˜xxxโ€™ about the writing part and, to be honest, was really good at the marketing part. Very soon I learnt this person was a real piece of work, but I got intrigued; very little judgement is involved here, as I said in my opening.
0 likes โ€ข 2d
@Igor O I will reply there, as I read that post a while back and didn't reply as it pertains mostly to published or almost-ready books. Link
Delayed launch?
I'm publishing my 8th title next month and this is the first time doing a delayed release. The book is done, cover, interior and KDP upload, all done. Now I wait, do some subtle marketing, wait. On the up side, I ordered proofs, found minor mistakes and was able to fix those. But the wait... I am hoping that I am able to build a little anticipation and experience some reward on the launch date but that is yet to be seen. Does anyone else have experience with delayed gratification on KDP? It's just so easy to publish that I never tried building pre-release tension or promotional campaigns. I'm a little nervous and also excited.
Delayed launch?
0 likes โ€ข 3d
No experience whatsoever but I like your cover. Designed by an artist or AI? Can you explain what a delayed launch entails?
0 likes โ€ข 3d
That is ironic indeed, @Tiberius Ryuu . I've seen that happen in other industries that I've worked in, as well. All this automation is going over the top, doing more harm and costing more time than the original intent for automation. Thank you for elaborating.
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Latte Motte
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@latte-motte-8798
Creator-friendly, Thailand, Resident Expat Advisor, Coaching: Gaming, Hospitality, Marketing, Work/Life. Semi-retired ๐Ÿ™ https://linktr.ee/lattemotte

Active 2h ago
Joined Dec 13, 2025
Bangkok
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