LAXVOX: The Missing Link in Your Vocal Training? Have you ever wondered why so many professional singers, voice teachers and speech therapists use LAXVOX? The answer is simple: Because it is one of the safest and most effective ways to improve vocal function while reducing unnecessary tension. Whether you're warming up, recovering from vocal fatigue, preparing difficult repertoire or simply looking for a freer, healthier voice, LAXVOX can become an incredibly valuable part of your daily practice. I'm therefore very happy to announce that the complete LAXVOX Lecture Series is now available inside the PREMIUM area! 🎉 Inside the series you'll find: ✅ What LAXVOX actually does to your voice ✅ How to use it correctly ✅ Common mistakes to avoid ✅ Posture and body alignment ✅ Glissandi, fifths and octaves ✅ Melodies and repertoire preparation ✅ Practical exercises you can start using immediately LAXVOX is much more than bubbling into a tube. Used correctly, it helps you develop better breath management, freer resonance, smoother register transitions and a more balanced vocal production. I'm also planning to offer individual online LAXVOX coaching sessions for VIP members, where we can work together on your own voice and repertoire. 👉 PREMIUM members can access the complete Lecture Series from today. I'd love to hear your experiences with LAXVOX! Have you already tried it?

One thing I’m realizing more and more inside this community: So many singers struggle with the SAME things. High notes. Tension. Fear. Overthinking. Pressure. And yet so many singers think they are completely alone with it. Have you ever felt that way too? 🌍

Did I miss something? I can't seem to find the chapter where the laxvox exercisses are beeing demonstrated. I just see the introductional video.

One of the most frustrating experiences for singers is inconsistency. Some days the voice feels open, easy and free. And the next day, it suddenly feels difficult again. That was one of the biggest challenges Anatol faced during parts of his training. What makes this especially difficult psychologically is that singers often interpret inconsistency as failure. But very often, inconsistency is actually part of the learning process itself. The body is reorganizing. Old patterns are disappearing. New coordinations are still unstable. And during this phase, singers can temporarily feel: better one day, worse the next, more open, more blocked, more free, more effortful. This is completely normal in real vocal development. In Year 2 of the Classical Singing Masterclass, we worked intensely on helping Anatol build more consistency and reliability in his coordination. And one of the most important lessons singers can learn is this: Progress is rarely linear. Very often, the voice develops in waves. 🎓 Inside the Classical Singing Masterclass, you can follow Anatol's complete transformation journey step by step — and apply the same principles to transform your own voice. Available in the Classroom/ THE ONLINE MASTERCLASS

Here are two videos of me doing the lip trill breathing exercise. You can clearly see the tension in my neck muscles and how my neck vein pops out. My question is: what should I do about this and how can I avoid it? I’m sure it’s not supposed to look like that.