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Master The Workflow

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AIography

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6 contributions to AIography
The Week AI Stopped Being a Question
Something quietly tipped over this week, and today's newsletter is all about it. For a couple of years now, the AI-in-film conversation has mostly been an argument. Is it real? Is it cheating? Is it going to stick? This week the argument got a tiebreaker, and it came from about the most credible voice there is. George Lucas said AI is the future of the medium. His actual words: "Artificial intelligence means it's much easier for us to make movies," and "There's nothing you can do about it. That's progress; it's the future." That's the person who built the modern blockbuster telling you the door is open. And it's not just talk from the sidelines. The same week, the biggest streamer on earth put a number on it. In its quarterly letter to shareholders, Netflix said creative partners used generative AI across roughly 300 titles this year, mostly in post-production. Not a demo. Not a pilot program. Three hundred titles, on the record, to Wall Street. Put those two together and the shape of the week is hard to miss. The most famous names and the biggest money landed on the same side, out loud, at the same time. In today's full newsletter, I walk through what that actually means for working creators, plus the honest other half: a director who shipped a 135-minute AI feature almost by himself, Christopher Nolan calling the whole thing a trap from the other side of the same week, and a couple of new tools you can actually put to work. It's a five-minute read, and it's built to help you decide what to use and what to keep your hands on. Read the whole thing here: https://aiography.beehiiv.com/p/george-lucas-says-ai-is-the-future-of-movies Here's the thing I keep landing on. When a tool goes from "maybe" to "here to stay," the interesting question stops being whether you use it. It becomes what you refuse to hand over. The tools are settling. Your judgment is the part that still can't be automated, and this week made that clearer, not less.
2 likes • 16d
@Anthony Steinhart I've mainly cut reality tv, and in that regard no, because besides possibly using it to create graphics, there isn't much to use it for. I tried using one of the tools to cut an interview (on my own time) just to see if it was effective at getting me a stringout faster than I could produce myself and it wasn't. Not in the sense of speed (it made a stringout in about 5 minutes), but It skipped over really good and important bites and I realized I couldn't trust it, so I still had to watch the entire interview myself anyway. I've been using it for my own little projects I've been working on in order to learn the tools however.
1 like • 16d
@Anthony Steinhart Exactly right. And of course, I'm glad to discuss anytime.
POLL: Let's Get This Conversation Going!
I’d love to hear from everyone here. As this group continues to grow, I want to make sure we’re building something that is actually useful, practical, and worth your time. So here’s the question: What would you most like to get out of this community? I want your top 3. But Skool only lets you vote once. So please add a comment with your 2nd & 3rd choices. If something's missing, tell me. This community is yours as much as it's mine. I'd rather build what you'll actually use than guess. 😉 Thanks, Larry
Poll
21 members have voted
1 like • May 10
1. Full Workflow Breakdown 2. Courses / Step By Steps (These two are equal for me... Interrelated) 3. Tool Head To Heads (Unless you have a machine where you can install an AI model, it gets too expensive to explore all the options that are available.) 4. Career Advice (Bonus) - I know you asked for top three- but I like a lot of the ideas you posted.
Friday newsletter is up — A day late thanks to my stomach bug. 🤒
NAB 2026 was the week AI got serious about post-production. Eddie AI hands you a rough cut by morning; TwelveLabs lets you search footage by sentence; and Adobe/Blackmagic/Avid all rebuilt features around AI in the same 72 hours. Not the "what's the next awesome video generator" story. Tools you'll actually be using in your work very soon. Read here: https://aiography.beehiiv.com/p/nab-2026-ai-gets-serious-about-post-production What's the one move from this batch you're actually going to try? — LJ
Friday newsletter is up — A day late thanks to my stomach bug. 🤒
1 like • Apr 28
I'm not sure how to feel about Eddie AI. It feels like the first step in AI taking our jobs away, but I can also see the value in quickly getting a first pass done. Also, the pricing! $200 a month plus $15 a credit after your 10 exports are used up... which I assume gives you one pass on a cut? I didn't know I could be terrified and excited all at the same time.
Update from Larry
Hey Everyone, I've been under the weather. Well, that's an understatement. Some kind of stomach virus has had me completely knocked out. However, I saw the doc today, and I'm hoping it will be gone in the next few days. If things go as planned, next week, I'm doing the first of a 12-video series for founding members. We start from the beginning. Foundation models, what they are, what they mean, and where they actually fit into your AI filmmaking workflow. I'm excited about it, and I think you're going to like it. Talk soon, LJ
1 like • Apr 25
Get well Larry!
🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
I just posted something I've been working on for a while, a video that explains exactly what AIography is, where it's going, and why I built it. The short version: I've spent 40 years editing at Warner Brothers, Sony, Disney, HBO, and Netflix. I was there when Avid replaced film. I consulted on Final Cut Pro before it had a name. Every time a transformative technology hit, I watched the same thing happen: everyone focused on the shiny new thing and forgot about the craft. It's happening again with AI. And almost nobody is talking about story. That's what this community is about. 🎬 Watch the video below. If what I'm saying resonates, I'm now offering a Founding Member tier for $29/month, or pay annually and get two months free. Locked in for life. Full access to everything I'm building: courses, live workshops, Lumarka early access, and direct access to me. This window won't stay open forever. Head to the Classroom and hit the Founding Member upgrade. Then come back here and introduce yourself. I want to know who's in the room.
🚀 Founding Members Is Now Open — $29/Month, Locked In For Life
3 likes • Feb 20
Forgive me if this has already been answered elsewhere, but is there a cut off date for when the Founders fee will no longer be available?
1-6 of 6
Kevin Pietila
2
9 points to level up
@kevin-pietila-4314
I've been an Editor in Los Angeles since 2007. Fun fact about me is I used to hate Avid, but after using it for years, it's now my favorite software.

Active 21h ago
Joined Feb 20, 2026
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