Activity
Mon
Wed
Fri
Sun
Oct
Nov
Dec
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
What is this?
Less
More

Memberships

CLOSING! DRM Academy

919 members • Free

Greenlight Yourself™

366 members • Free

Small YouTubers

105 members • Free

Documentary Accelerator

84 members • Free

Competitive Edge

30 members • Free

Book Klub

31 members • Free

Editor Accelerator

2.4k members • Free

Health is Wealth (Challenge)

227 members • $49

DOC ACCELERATOR PRO 🎥

4 members • $27/m

64 contributions to Documentary Accelerator
Creative Exposure
Since we are all here chasing the Muse and creative flow: it turns out, just watching art makes you more creative. The study indeed found that "experiencing art leads to greater creativity because art inspires people." https://www.sciencedirect.com/science/article/abs/pii/S0148296317304058 Why that matters for us, documentarians? Because when you're stuck with your idea or a logline, read some poems. Go to the museum and get lost in the masters' work. Listen to some complex music. Heck, just browse Pinterest inspiration boards, or get yourself some epic art books for your home office. It all leads to enhanced problem solving and different creativity. 👉🏼 "The studies reported here provide clear evidence that appreciating art induces inspiration, which in turn facilitates performance on creative tasks. We found support for our theory using several different measures of creativity—idea-generation tasks, RAT, and endorsement of creative personality traits. Moreover, the effect of art appreciation was robust across various contexts." Do you use art to get unstuck in your creativity?
Poll
3 members have voted
1 like • May 9
@Lina Lyte Plioplyte Thank you! I use it as market research and to see other creatives art.
3 likes • May 10
For real, we can finally peel back the onion. I have lots to share as I been putting the work in.
Tariffs for imported films?
I’m very curious how this could / would affect international partnerships and productions, and how it would be measured… Thoughts?
Tariffs for imported films?
3 likes • May 5
Great minds think alike. https://www.mediapost.com/publications/article/405596/trumps-war-on-global-film-who-asked-for-this.html
Are original movies dying?
This question keeps popping up, especially after another round of box-office numbers showing franchises and sequels dominating once again. Many moviegoers express frustration, stating they crave originality, yet ticket sales tell a different story. This is relevant even to a documentary. Don't think of this as just for fiction. Why does this happen? **Economic Factors and Risk Aversion:** Studios inherently avoid risk. When faced with a decision between a completely original idea and a well-known property, they're inclined toward the safer financial bet. Franchises, sequels, remakes, and adaptations already have built-in fan bases, making them less risky investments. This tendency isn't necessarily about creativity; it is about business sustainability. **Consumer Psychology and Familiarity:** While audiences might voice a desire for original stories, their actual behavior often suggests they prefer familiarity. Familiar characters, storylines, or universes feel safer and more predictable, ensuring the audience feels confident their time and money won't be wasted. Nostalgia and brand recognition play huge roles here, influencing ticket-buying decisions significantly. **Marketing and Visibility:** Original movies often struggle with visibility. Studios allocate massive budgets to franchise films, leaving original stories with comparatively limited promotional resources. Even fantastic original movies can fail at the box office if potential viewers simply don’t know they exist. **Streaming and Changing Viewing Habits:** Another significant factor is the rise of streaming platforms. Viewers are increasingly comfortable waiting to watch original films at home, where the stakes are lower; no expensive tickets, no costly concessions, and the convenience of pausing or stopping at will. This shift further discourages studios from investing heavily in theatrical releases for original stories. But is any story truly original? Since the time of William Shakespeare—and well before—most stories have revolved around universal human themes: love, betrayal, power, redemption, and transformation. Shakespeare himself often adapted existing stories, breathing new life into them through creative dialogue, compelling characters, and innovative stagecraft.
2 likes • Apr 25
I am a strong believer in documentaries and my colleagues are as well. Now with that being said we still have our ideas of doing some narratives in the near future, but have plenty of work to do with the docs we have done, and are doing as we speak. I also believe it is all about perspective. How do you measure success? Is it financial gains? Or do you have a bigger purpose? I am definitely loving the process and really feel comfortable as to where we are as a group. Also love to see that Ryan Coogler is shaking up the system and I hope that resonates industry wide.
2 likes • Apr 25
@Lina Lyte Plioplyte You know it is, especially with delusional people like me! I am pushing the door open and with my team, we will get these delusional soon. Also, love the Mississippi Delta references, we been doing the work down there and this is empowering!
Great article
https://realscreen.com/2025/04/24/hot-docs-programming-industry-directors-talk-2025-edition-goals-for-rebuilding/?utm_source=newsletter&utm_medium=email&utm_campaign=hot-docs-programming-industry-directors-talk-2025-edition-goals-for-rebuilding&_u=%2fn%2fYSAfy7vQ%3d
Challenge day 8: streamers homework
Post your streamers list and what you found out here.
3 likes • Apr 15
📺 Challenge Day 8: Streamers Homework 🎯 Objective: Identify streaming platforms that align with your documentary projects and research what types of content they acquire, how they acquire it, and why your work could fit. ✅ 1. List of Potential Streamers: PBS / PBS Documentaries Netflix Hulu HBO Max Amazon Prime Video The Criterion Channel Tubi Peacock The Smithsonian Channel Topic (by First Look Media) BET+ Revry ✅ 2. What They Look For: Streamer Focus / Audience Acquisition Process PBS Historical, educational, social impact docs Through local PBS affiliates or ITVS Netflix Bold, unique, global stories, social justice Through agents, distributors, and film festivals Hulu True crime, pop culture, youth-driven docs Via festivals or third-party distributors HBO Max Impact-driven, high-profile doc stories By pitch via production companies or festivals Amazon Prime Video Independent and niche docs Direct distribution or through an aggregator The Criterion Channel Classic, artistic, socially relevant films Through curators and film festivals Tubi Free, ad-supported documentaries Via distributors/aggregators like Filmhub Smithsonian Channel History, culture, music, American stories Through direct pitches or partnerships Topic (First Look Media) Bold, underrepresented voices Festival picks and direct submissions BET+ Black culture, social justice, entertainment Festival and network submissions Revry LGBTQ+ and intersectional storytelling Direct pitch or via festival programs ✅ 3. Why Your Work Fits: “The River”, “Voices of Freedom”, “Last Night at Juniors”, and “The War on Art” tell historically rooted, culturally rich, and socially urgent stories ideal for PBS, Netflix, and HBO Max. The War on Art—which addresses the defunding of arts programs and the silencing of marginalized creative voices in today’s politically charged climate—aligns well with platforms like Topic, BET+, Smithsonian Channel, and HBO Max, given their focus on social justice, education, and underrepresented communities.
2 likes • Apr 15
@Lina Lyte Plioplyte Thank you for some guidance here, but have to live and breath this!
1-10 of 64
Jose Pichardo
5
285points to level up
@jose-pichardo-3562
Documentarian/Filmmaker

Active 17d ago
Joined Nov 29, 2024
Jersey City, NJ
Powered by